Book First: The Prince
Maggie's father, mentioned in the context of the marriage.
I
Adam Verver is praised by the Prince as a 'real galantuomo' and a natural man, with his American manner being a point of admiration.
Chapter II
Briefly referenced as part of 'both our friends' in the Prince's concern about not injuring Maggie or her father.
VII
Reflects on his awakening as a connoisseur, his late wife's influence, and his fear of Mrs. Rance's proposal; sees Maggie's marriage as expanding their domestic space.
Chapter VIII
Reflects on his past and his museum project, and perceives Maggie's new anxiety for his personal life.
Chapter IX
Shares a quiet moment with Maggie, smiling at her concerns about Mrs. Rance and other women.
Chapter X
Adam listens to Maggie's praise of Charlotte, initially questioning but gradually becoming convinced of Charlotte's worth.
Chapter XI
Adam encourages the trip to Rome and Paris, and later reflects on his relationship with Maggie, concluding that marrying Charlotte would ease her guilt.
XII
Proposes to Charlotte Stant in Brighton, framing the marriage as a way to reassure Maggie that she has not abandoned him. He is deliberate and planful, seeing the proposal as a strategic move rather than a passionate one.
XIII
Anxious and eager for Maggie's approval, he feels the weight of his decision to marry Charlotte and the need to manage appearances.
XIV
Mentioned as not attending the party due to not feeling well; Maggie stayed with him.
Chapter XV
Referenced as the benefactor whose fortune supports both the Prince and Charlotte, linking them together.
Chapter XVI
Mentioned indirectly as the 'incredible little idealist' and through the Colonel's echo of his quaint expression 'Oh, Lordy, Lordy!'
Chapter XVII
Mentioned in the Prince's thoughts as part of the 'large lucky group' and as the orchestrator of the marriages.
Chapter XVIII
Mentioned as being of 'sweet simplicity' and as the husband Charlotte feels tender toward; his confidence in Charlotte and Amerigo is noted.
XIX
Portrayed as simple and meagre, yet a 'power' like an infant king; the Prince feels his value is fixed by Mr. Verver.
Chapter XX
Absent from Matcham, moping in Eaton Square; considered by the Prince as a 'good child' lacking knowledge.
Chapter XXIII
Adam is identified as the primary source of blindness in the situation. Fanny states that 'the blindness is primarily her husband's' (Mr. Verver's), and that the Prince and Charlotte feel and see this blindness, which contributes to their fear for him and Maggie.
Chapter XXIV
Discussed as the object of Maggie's concern, needing to be kept unconscious of any discomfort in their situation.
Book Second: The Princess
Maggie's father, whose marriage to Charlotte is a source of both connection and unease for Maggie.
Chapter XXV
Adam is referenced as part of the 'ivory tower' of their family arrangement, and Maggie reflects on their shared life and the envy of their friends.
Chapter XXVI
Adam is referenced as part of the plan that Maggie perceives Amerigo and Charlotte are executing, though he does not appear directly in the chapter.
Chapter XXVII
Adam is discussed as the potential recipient of the proposed trip with Amerigo. Maggie notes his modesty and that he would not initiate such a plan himself.
Chapter XXVIII
Adam visits Maggie alone in Portland Place, prompting her to suspect deeper motives. He appears slight and young to her, almost like a child, and she contemplates sacrificing him.
Chapter XXIX
Adam discusses the move to Fawns with Maggie, revealing his awareness of Charlotte's desires and his own complicity in maintaining the status quo. He avoids pressing Maggie for her true reasons, indicating his fear of the truth.
The Princess's Torment
Maggie reflects on her father's indulgent but inscrutable nature, and worries about the impact of her actions on him.
XXXI
Adam Verver is mentioned as the father who might doubt and as the one who would let Fanny off if he knew the truth, for Maggie's sake.
Chapter XXXII
At Fawns with Charlotte; Maggie feels his gaze from a distance and worries about the 'fine tissue of reassurance' woven by Charlotte.
Chapter XXXIII
Praised for his extraordinary generosity and devotion to Maggie, his actions are seen as motivated by love for his daughter.
XXXIV
Referenced indirectly as Maggie's father and Charlotte's husband; his potential awareness is a point of tension.
Chapter XXXV
Mentioned indirectly; Maggie avoids speaking of him directly when Fanny asks about her father.
XXXVI
Adam is seen through the window, absorbed in his card game, unaware of the confrontation. Maggie watches him, hoping for a sign of support that never comes.
Chapter XXXVII
Adam offers himself as a sacrifice to Maggie, hints at returning to America with Charlotte, and reflects on his lack of jealousy. He finds solace in the father-daughter bond with Maggie.
Chapter XXXVIII
Present during the embrace; his secret start is noted by Maggie, and he is seen humming to himself while leading Charlotte on their rounds.
Chapter XXXIX
Adam is the subject of Charlotte's plan to take him home; he is absent from the scene but central to the conflict.
Chapter XL
Adam is preparing to depart for America with Charlotte. Maggie sees him as holding a 'silken noose' over Charlotte, symbolizing his quiet control.
XLI
Mentioned as Maggie's father and Charlotte's husband; Maggie refuses to speak of him, calling him 'too great.'
XLII
Adam quietly observes his wife Charlotte's performance and examines a painting given to Maggie, seeming to take a last leave of it.
