Social Class and Morality

Margaret Odell, a Broadway 'Canary' from the bohemian demimonde, is contrasted with the wealthy, respectable men in her life, revealing the hypocrisy and hidden moral decay beneath the surface of high society and the dangers of crossing class boundaries.

The chapter highlights the divide between the wealthy, aristocratic Vance and the criminal underworld of Broadway nightlife.

The murder of a well-known Broadway figure highlights the intersection of high society and the criminal underworld.

Spotswoode's concern for his reputation as a 'highly respectable member of society' contrasts with Skeel's criminal record, illustrating class-based judgments of morality.

Cleaver's concern for his social standing and the scandal of being associated with a blackmailer reflects the intersection of class and moral judgment in the investigation.