An Old Story
The eternal Son and heir who leaves his heavenly throne to be born as a human child, the focal point of the Nativity story.
A Book of Dreams
Mentioned in the context of the lilies and the cross; the Master is implicitly identified with Christ.
Light
Identified as the 'Word of God' and 'Light of God' who came in human form to bring everlasting light, echoing the Gospel of John.
If I Were a Monk, and Thou Wert a Nun
Referenced as the crucified Best held over the dying beloved.
I Know What Beauty Is
The Son of Man, most lovely and potent, to whom the speaker comes.
I Would I Were a Child
Implied as the one who taught to cry 'Our Father' and told the parable of the prodigal son.
After an Old Legend
Referenced in the narrator's reflection on Christ's words about the poor and His abiding presence.
The Disciple
Addressed as Lord Jesus Christ, the narrator struggles to relate to him as a savior.
The Unseen Face
Implied as the true man whose face, crowned with thorns and baptized with tears, is the face of God.
Concerning Jesus
Portrayed as the divine sculptor, painter, poet, and architect whose life and sacrifice embody God's truth and inspire all art.
Death and Birth
Referenced as the crucifix in the niche, which the narrator reverently removes to open a window to the divine.
The Gospel Women
Appears as the divine child, the Lord of life, and the compassionate healer, interacting with various women and revealing his grace and authority.
I: The Mother Mary
Portrayed as the divine child, the boy in the temple, the miracle worker at Cana, and the crucified Lord.
II: The Woman That Lifted Up Her Voice
He turns to acknowledge the woman's cry and responds with a teaching on true blessedness.
III: The Mother of Zebedee's Children
Jesus responds to the mother's request, teaching about the cup and baptism of suffering, and the true path to honor in the kingdom.
IV: The Syrophenician Woman
Jesus is the central figure who initially tests the woman's faith with a seeming refusal, then commends her great faith and grants her request.
V: The Widow of Nain
The Life who halts the funeral procession, commands the dead man to arise, and restores him to his mother.
VI: The Woman Whom Satan Had Bound
Implied as the divine healer who speaks to the woman, uplifts the down-bent head, and unbinds the bound.
VII: The Woman Who Came Behind Him in the Crowd
He perceives the woman's touch, calls her forward, and addresses her tenderly as 'Daughter,' affirming her faith and comforting her soul.
IX: The Women Who Ministered Unto Him
Implied as the recipient of the women's ministry, reflecting his acceptance of humble service.
X: Pilate’s Wife
The prisoner pale who appears in Pilate's wife's dreams, described as the light of the world suffering in eclipse.
XI: The Woman of Samaria
The weary man sitting at the well who asks for water, speaks with unmatched authority, and reveals the woman's past.
XII: Mary Magdalene
The divine healer who touches Mary, brings sunrise to her soul, dies on the cross, and appears to her after the resurrection, calling her by name.
XIII: The Woman in the Temple
The central figure who defends the woman, writes on the ground, and offers forgiveness.
XV: Mary
The Master who defends Mary's choice to sit and learn, and later accepts her anointing as preparation for his burial.
The Woman That Was a Sinner
The recipient of the woman's devotion; his forgiveness awakens her love and restores her soul.
The Three Horses
Addressed directly at the end of the chapter as the one whose message the narrator feels unworthy to bear, and to whom he offers himself as a thrall.
Somnium Mystici
Referenced as the one who draws souls to his bosom and whose love is the core of all love and hope.
The Sangreal
Appears in Galahad's dream where he drives a nail through Jesus' hand.
Tell Me
Implied as the wayfaring man with wounded hands who carries pilgrims up the stair.
The Sheep and the Goat
Referenced implicitly in the final stanza: 'In doing it to one of these / Thou didst it unto him.'
A Meditation of St. Eligius
Appears as a little boy obediently fetching water for Mary, performing a miracle by gathering spilled water in his cloak.
A Christmas Carol for 1862
Addressed as 'babe from heaven,' 'child of man,' 'son of man,' and 'child-king,' the poem calls for his birth to bring salvation, work, peace, and righteousness.
A Christmas Carol
Portrayed as a baby in Mary's lap, the 'little king' who silently opens his eyes.
The Sleepless Jesus
Addressed as a sleepless child with immortal eyes that see the world's pain yet smile in divine assurance.
Antiphon
The Lord whose coming is anticipated and whose presence brings light, freedom, and peace.
Dorcas
Dorcas heard Jesus speak and was inspired by his teaching about serving the needy.
Marriage Song
The divine figure who turns water into wine, symbolizing the transformation of the mundane into the sacred.
Blind Bartimeus
The healer who passes through Jericho, hears the cry of blind Bartimeus, and restores his sight.
Come Unto Me
Identified as the one who gives rest and enters the heart to heal.
Blessed Are the Poor in Spirit
Implored as 'our Saviour' to give His spirit to the speaker.
Blessed Are the Meek
Portrayed as the meek and humble king who healed, commanded nature, and lived without strife.
Blessed Are the Merciful
Addressed as Lord, the one who won strength to save unholy men from sin.
Blessed Are the Pure in Heart
Implored to enter the temple of the heart, bringing light and driving out devils.
A Manchester Poem
Christ is alluded to through the Eucharist, the cross-shaped shadow, and the resurrection imagery.
The Diary of an Old Soul
Referenced as the Lord and Master, whose day the soul awaits.
January
Referenced implicitly as the Master and the one who calms storms; the speaker longs for the Master's day.
February
Referenced as the truth, the life, and the way; the one to follow and sit at his feet.
March
Invoked as the radiant Christ who suffered and died, and whose presence is sought in times of fear and pain.
April
Addressed directly as the object of love and devotion; the speaker seeks to love Him perfectly and follow His will.
May
Invoked as the pledge of future sight, the master whose face must be kept in view, and the one who makes a 'little Christ' of the believer.
June
Addressed as the source of healing virtue, the fellow worker, and the risen Lord who walks crowned.
July
Referred to as Master, Christ, and carpenter of Nazareth; the speaker yields desires to Him and seeks His spirit's movement.
August
Referenced as the one through whom the speaker enters liberty and as the living vine.
September
Invoked as the Master and Shepherd who saves the straying sheep.
October
Referenced as the one who trusted and adored the Father amid suffering, and as the life-heart of all things.
November
Addressed throughout as the compassionate, knowing divine presence who understands human suffering and is the source of light and redemption.
December
Referenced as the ideal Son and Brother, the one through whom the speaker finds hope and connection to the Father.
A Threefold Cord
Addressed as the refuge and home of the soul, the wounded and slain one, and the one whose presence is sought in prayer.
Christmas-Day, 1878
Addressed as the Lord of eternal life and the Eternal Son, whose daily coming brings new birth to the speaker.
O Lord, How Happy!
The soul goes to Jesus, wounded and slain, making Him home and refuge.
No Sign
The Son whom the speaker calls upon to come and abide in the soul.
The Carpenter
Addressed as Lord and Master, depicted working at Joseph's bench with saw, plane, and hammer.
Christmas Day, 1850
Celebrated as the Brother and Saviour born on Christmas Day, the central figure of the chapter's praise.
Death: Mourn Not, My Friends, That We Are Growing Old
Years are described as Christ's napkins to wipe away sin; Christ's friend takes the speaker down from life's cross.
Come to Me
Referred to as 'he' who taught that doing his word leads to knowledge of truth.
The Healer
Addressed as the healer who cures the halt, maimed, blind, and devil-torn; the speaker challenges Christ to heal the deeper pain of the heart.
Of the Son of Man
Central figure of the chapter, depicted as the Son of Man who left the Father, embodied Truth and Love, and through his life and sacrifice brought redemption and life to humanity.
George Rolleston
Referenced as the saving God who stood over the maid and declared 'She is not dead but sleepeth.'
A Prayer in Sickness
Invoked as Saviour to deliver the speaker from the body-shroud and grant sight of God's face.
The Beloved Disciple
Implied as the one who unlocked the mighty treasure in Nature for the beloved disciple.
That Holy Thing
Addressed as the 'little baby thing' and 'son of man,' whose presence alone can avail.
Christmas, 1880
Addressed as the great-hearted child, eternal Son, who knows all hearts and cried 'Father' in his final moment.
Cottage Songs
Sits by the well of life, offering drink to all who thirst.
IV: Drawing Water
Jesus is depicted sitting by the well, offering living water to quench the world's thirst.
The Consoler
The central figure of the engraving, addressed as the Savior who consoles and redeems.
Contrition
Implored as Saviour, the one in perfect purity and love's security who can fill the soul with light.
To One Threatened with Blindness
Implied as the Lord who brings the Father to the door and feasts the soul with light.
General Gordon
Referenced as the faithful Lord who did not pray for angel legions; Gordon now quaffs with Christ's imperial staff.
Written for One in Sore Pain
Addressed as 'Son of Man' and 'Shepherd-man,' the one who is strong to bear and heal through his own suffering.
Christmas, 1873
Invoked as the eternal child with the perfect father, asked to drive age from parents' hearts and gather children.
Christmas, 1884
Addressed directly as the source of comfort and presence in the midst of a joyless Christmas.
Christmas Song of the Old Children
Addressed as 'Child of all Eternity' and 'Heaven's child', the divine infant who receives the prayers of the aged.
Christmas Meditation
The divine figure who comes from above to atone and bind Earth to the Father's throne, always present.
Christmas Prayer
Implored to enter the speaker's heart, which is likened to a stable in the rock.
Song of the Innocents
Jesus Christ has come down to see the children and is the guide they follow home.
At My Window After Sunset
Mentioned as 'great father, perfect Christ' in the final stanza, part of the speaker's joy and hope.
A Father to a Mother
Implied as God's own child who came down to earth, central to the poem's consolation.
The Temple of God
Jesus finds his Father on a dark hill in the wind, demonstrating that every place is a place of prayer.
Going to Sleep
Referred to as the elder brother who descended into death and rose again, offering a model for the soul's journey.
Foolish Children
Addressed as 'Christ, whom Hades could not keep' and 'Elder Brother,' the one who conquered death and leads believers home.
A Song Prayer
Addressed as 'Lord Jesus' and 'new man, sole human, God's son, and our brother' in the prayer.
What the Lord Saith
The eldest-born who trusts the Father and invites others to come to God.
Saint Peter
The one who called Peter onto the sea and whose presence is the anchor of faith.
Zacchaeus
The Lord who sees Zacchaeus in the tree, invites himself to his home, and declares salvation has entered the house.
After Thomas Kemp
Central figure; following him leads to walking in light and truth, and he is the model of obedience to God's will.
False Prophets
Implied as 'them that walked our fellows in the ways below.'
Approaches
Present in every line as the ever-near companion, from the hill to the soul.
The Word of God
Addressed as the Word and Spirit in whom all things are inherited.
The Christmas Child
The 'little one' who has come down the heavenly stair, identified as the Christmas child, reflecting the incarnation.
A Christmas Prayer
Addressed as the Christ Child, whose birth brings repentance and a seat at the Father's hearth.
