Moby Dick

Ishmael

Ishmael is a philosophical observer both fascinated and terrified by the symbolic whale, which represents the unknowable and destructive force of nature.

Captain Ahab

Ahab has a consuming, vengeful obsession with the white whale, which he views as the embodiment of all evil and a personal enemy.

Stubb

Stubb views Moby Dick with a mix of superstition and pragmatic hunting instinct, but lacks Ahab's personal obsession.

Captain Ahab

Ahab has a consuming, vengeful obsession with the white whale, which he views as the embodiment of all evil and a personal enemy.

Stubb

Stubb views Moby Dick with a mix of superstition and pragmatic hunting instinct, but lacks Ahab's personal obsession.

Ishmael

Ishmael is a philosophical observer both fascinated and terrified by the symbolic whale, which represents the unknowable and destructive force of nature.

Captain Ahab

Ahab has a consuming, vengeful obsession with the white whale, which he views as the embodiment of all evil and a personal enemy.

Stubb

Stubb views Moby Dick with a mix of superstition and pragmatic hunting instinct, but lacks Ahab's personal obsession.

Moby Dick

The central subject of the chapter. Described in mythic, terrifying detail: his whiteness, immense power, cunning malice, and the legendary wounds he has inflicted, most notably on Ahab.

Dusk

Referred to as 'the hated whale' and the crew's 'demigorgon'; the object of Ahab's blasphemous quest that Starbuck fears.

XLI: Moby Dick

The central subject of the chapter. His legendary ferocity, the supernatural rumors surrounding him, and the details of his attack on Ahab are exhaustively explored.

XLII: The Whiteness of the Whale

The ultimate subject and symbol; his whiteness is analyzed as the source of an ineffable, appalling horror that transcends physical threat.

XLIV: The Chart

The singular object of Ahab's hunt; his known migratory patterns and distinctive white features are analyzed as Ahab plots his course.

XLV: The Affidavit

The chapter's entire argument serves to establish the reasonableness of the White Whale's existence and capabilities, directly bolstering the credibility of the central story.

LI: The Spirit-Spout

The unnearable spout is superstitiously linked to the White Whale by the crew, who believe it is treacherously beckoning the ship onward.

LIV: The Town-Ho’s Story

The White Whale appears and kills the mate Radney, seen as an instrument of divine vengeance.

LV: Of the Monstrous Pictures of Whales

The ultimate subject of all failed depictions; the chapter argues the true Leviathan remains unpaintable and unknowable.

LXVIII: The Blanket

The Sperm Whale is the primary subject of the chapter, its physical properties (blubber, skin, markings) serving as the basis for Ishmael's extended meditation.

LXX: The Sphynx

Though not the specific whale killed, the decapitated sperm whale head serves as a symbolic stand-in for the deep, inscrutable mystery Ahab seeks to conquer.

LXXIII: Stubb and Flask Kill a Right Whale; and Then Have a Talk Over Him

Implicitly present as the ultimate object of Ahab's 'hard bent' quest, mentioned in the context of Stubb's theory that Fedallah is trying to get Ahab to 'surrender' the White Whale.

LXXVI: The Battering-Ram

The archetypal sperm whale whose physical form is analyzed; the chapter indirectly builds the legend of the whale's destructive potential.

LXXIX: The Prairie

The sperm whale as a species is the sole subject of the chapter's analytical and awe-struck contemplation, its brow presented as an emblem of sublime, inscrutable power.

The Nut

The archetypal sperm whale whose physiology is the subject of Ishmael's philosophical and scientific inquiry.

LXXXII: The Honor and Glory of Whaling

The ultimate embodiment of the 'Leviathan' that links all these myths, from Perseus's monster to Jonah's whale.

LXXXV: The Fountain

The archetypal sperm whale; his physiological necessity to spout is analyzed as both a vulnerability and a sign of his sublime, ponderous nature.

LXXXVI: The Tail

Though not named directly, the sperm whale as a species is the sole subject. Its tail is analyzed as the ultimate embodiment of its power, grace, and inscrutability.

Leg and Arm

Described in Boomer's account as a 'noble and biggest' whale with a milky-white head and hump. His destructive power is vividly recounted, but he is also framed by Bunger as an awkward, rather than purely malicious, force.

The Fossil Whale

The chapter contemplates the whale as a species (Leviathan) across deep time, encompassing all whales, past and present.

CXVI: The Dying Whale

Though not physically present, the White Whale is the ultimate object of the hunt that colors Ahab's perception of this dying whale's 'lesson.'

CXXVIII: The Pequod Meets the Rachel

His sudden appearance caused the Rachel's boat to give chase, leading directly to the loss of the crew and Gardiner's son, reinforcing his role as an agent of destruction.

The Pequod Meets the Delight

The unseen cause of the destruction; the Delight's wrecked boat and dead crew are direct evidence of his lethal power.

CXXXIII: The Chase—First Day

Displaying 'malicious intelligence,' he destroys Ahab's boat with a calculated bite, then circles the wreck menacingly before swimming off.

CXXXIV: The Chase—Second Day

Reveals himself with a mighty breach, then attacks the boats with furious speed and intelligence, dashing them together and launching Ahab's boat into the air.

CXXXV: The Chase—Third Day

The final antagonist, described as 'combinedly possessed by all the angels that fell from heaven.' He destroys the whaleboats, rams and sinks the Pequod, and kills Ahab, displaying immense, destructive power.