IV: The Counterpane
Shows affectionate, 'bridegroom' physical intimacy while asleep. His morning routine—dressing under the bed, washing selectively, and shaving with his harpoon—reveals his unique, transitional state between savagery and civilization.
Breakfast
Sits at the head of the table, completely unselfconscious. He uses his harpoon to spear beefsteaks, eschews conventional breakfast foods, and remains 'as cool as an icicle' amidst the awkward silence.
VI: The Street
Mentioned as the 'outlandish individual' who first astonished Ishmael, now contextualized as one of many exotic figures in the port.
The Chapel
Present in the chapel, affected by the solemnity, gazing with 'incredulous curiosity' as he cannot read the inscriptions.
The Sermon
Present among the congregation, listening to the sermon alongside Ishmael.
A Bosom Friend
Displayed as serene, self-contained, and philosophically content. His rituals (whittling his idol, counting pages, sharing a pipe) and his declaration of lifelong friendship reveal a profound, simple honesty.
Nightgown
Shares physical and social intimacy with Ishmael, smokes his tomahawk pipe, and begins to recount his personal history and origins.
XII: Biographical
His biography is detailed: his royal lineage, his desperate journey to join a whaling ship, his disillusionment with Christians, and his decision to sail with Ishmael.
XIII: Wheelbarrow
Demonstrates loyalty, physical heroism, and cultural pride. He shares stories of his homeland, saves a greenhorn's life, and calmly endures prejudice, embodying his philosophy of a 'mutual, joint-stock world.'
XIV: Nantucket
Implied to be present as part of the 'we' who safely arrived in Nantucket after the fine run.
Chowder
Accompanies Ishmael, enjoys the chowder, and has his harpoon taken by Mrs. Hussey at bedtime.
The Ship
Remains at the inn, fasting and consulting his god Yojo, who has decreed that Ishmael alone must select their ship, a plan Ishmael reluctantly follows.
The Ramadan
Observes his Ramadan fast and meditation with solemn devotion, remaining unmoved by Ishmael's arguments. His perspective reveals a confident, unshakable faith.
His Mark
Proves his worth as a harpooneer with a stunning demonstration of skill. Signs the ship's papers with his tattooed mark, remaining composed throughout.
XIX: The Prophet
Present with Ishmael but silent during the exchange; walks away with Ishmael, sharing the initial assessment that Elijah is a 'humbug.'
All Astir
Accompanies Ishmael to the ship and has already signed the articles, fully committed to the journey.
Going Aboard
Accompanies Ishmael; displays cultural differences by using the sleeping rigger as a seat and sharing stories of his homeland.
Merry Christmas
Queequeg
The Advocate
Mentioned as a fellow whaleman; Ishmael uses him as a symbol of the dignity owed to harpooneers.
Knights and Squires
Confirmed as Starbuck's selected harpooneer and 'squire,' though his character is already known from previous chapters.
XXXIII: The Specksnyder
Implied as one of the harpooneers who, per the described custom, would be lodged in the after part of the ship, taking meals in the captain's cabin.
The Cabin-Table
Dines with the other harpooneers with a 'mortal, barbaric smack of the lip,' his convivial and intimidating presence part of what terrorizes Dough-Boy.
XXXV: The Masthead
Mentioned as someone Ishmael would chat with in the rigging during his leisurely ascent to the masthead.
The Quarterdeck
One of the harpooneers who recognizes the description of Moby Dick, contributing the detail of the twisted harpoons in his hide 'like a corkscrew.'
XLVII: The Mat-Maker
Works alongside Ishmael weaving the mat; his 'impulsive, indifferent sword' is interpreted by Ishmael as the force of chance.
XLVIII: The First Lowering
Stands alert in the bow; darts his harpoon at the whale; later becomes the symbolic standard-bearer, holding a lantern aloft in the storm.
XLIX: The Hyena
Ishmael's companion, soaked from the capsizing. Calmly confirms such dangers are common. Ishmael names him his lawyer, executor, and legatee.
LI: The Spirit-Spout
Presumably among the crew reacting to the spirit-spout and enduring the storm, though not individually highlighted in the provided excerpts.
LII: The Albatross
Implied to be one of the six lookouts aloft during the silent, close passage of the two ships.
The Line
Referenced indirectly as one of the harpooneers who might spend a morning meticulously coiling the line to prevent fatal kinks.
LXI: Stubb Kills a Whale
Also an oarsman in the chase, howling with battle fervor as the boat cuts through the sea.
LXII: The Dart
Implicitly referenced as the archetypal harpooneer whose superhuman effort and potential exhaustion under the current system is central to the chapter's critique.
LXVI: The Shark Massacre
Stands anchor-watch and battles the sharks with a whaling-spade; is nearly bitten by a 'dead' shark, prompting his philosophical condemnation of the shark's creator.
LXVII: Cutting In
Implied as one of the attending harpooneers who could wield the boarding-sword, though not explicitly named.
LXXII: The Monkey-Rope
Harpooneer performing the dangerous task of securing the blubber-hook on the whale's back; endures sharks, crushing hazards, and exhaustion, relying on his faith in Yojo.
LXXIV: The Sperm Whale’s Head—Contrasted View
Mentioned as an 'accomplished dentist' who lances the gums of the sperm whale's jaw to extract teeth during processing.
LXXVIII: Cistern and Buckets
Dives after the sinking head and, with his sword and great skill, performs an underwater rescue, extracting Tashtego from the cistern.
LXXXI: The Pequod Meets the Virgin
One of the three harpooneers who strikes the whale; later uses a hatchet to cut the sinking carcass loose, saving the ship.
LXXXII: The Honor and Glory of Whaling
Implicitly included as a member of the 'emblazoned fraternity' of whalemen Ishmael celebrates, representing the modern practitioner of this ancient art.
LXXXIV: Pitchpoling
Anoints his boat with superstitious diligence before the chase, suggesting a belief in ritual preparation.
LXXXVII: The Grand Armada
Steers the boat manfully through the chaotic herd, flings the harpoon, and points out the umbilical cord tethering a calf to its mother.
The Pequod Meets the Rose-Bud
Not explicitly mentioned in the provided excerpts.
The Cassock
Mentioned in simile comparing the jet-black color of the whale's organ to his ebony idol, Yojo.
XCVI: The Try-Works
Implied to be one of the 'pagan harpooneers' and 'Tartarean shapes' stoking the fires in the hellish try-works scene.
XCIX: The Doubloon
Compares the markings on the doubloon to the tattoos on his own body, trying to find correspondences. He ultimately concludes it is merely 'an old button off some king's trousers,' a mundane object.
CII: A Bower in the Arsacides
Not directly present, but his cultural practice of tattooing is echoed in Ishmael's method of preserving the whale's measurements.
The Fossil Whale
Not present in this chapter's excerpts.
Queequeg in His Coffin
Falls mortally ill, orders his coffin, performs a death ritual, then miraculously recovers, demonstrating his will to live and his deep cultural traditions.
CXII: The Blacksmith
Implied as one of the 'harpooneers' who surround Perth, waiting for their weapons to be serviced.
CXIII: The Forge
One of the three harpooneers who willingly gives his blood to temper the harpoon's barbs.
CXXV: The Log and Line
Referred to as 'the golden-hued Tahitian'; assists in heaving the log and hauling in the broken line.
CXXVI: The Life-Buoy
Hints that his unused coffin should be used to replace the lost life-buoy.
The Deck
His coffin, originally built for him during his illness, is the central object being repurposed on deck, tying his symbolic recovery to the ship's ominous fate.
The Hat
Also noted by Ahab as a trusted harpooneer during his survey of the crew before going aloft.
Epilogue
His coffin, built earlier in the narrative, becomes the instrument of Ishmael's salvation.
