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Across books · Theme

Marriage as Transaction

Marriages are portrayed as business arrangements rather than romantic unions, with characters marrying for money, status, or convenience, and easily discarding spouses when a more advantageous match appears.

Marriage as Transaction appears as a literary theme in 9 works in the BetterReads curated set. Each book develops the idea in its own plot, voice, and historical moment — the links below open the book-scoped theme guide beside the text.

Marriages are portrayed as business arrangements rather than romantic unions, with characters marrying for money, status, or convenience, and easily discarding spouses when a more advantageous match appears.

Marriages in the novel are driven by financial and social calculation rather than love, as seen in Sir Murtagh's marriage to a Skinflint heiress, Sir Condy's toss-up between Judy McQuirk and Isabella Moneygawl, and the strategic alliances pursued for property.

Marriage is portrayed as a cynical arrangement for social or financial gain, as seen in Grimes's shotgun wedding to Flossie, Paul's engagement to Margot for her wealth, and Dr. Fagan's offer of a partnership in exchange for marrying his daughter.

Marriage is portrayed as a financial arrangement rather than a romantic union, as seen when Maida Barhyte agrees to marry Mr. Incoul out of economic necessity, and her mother pressures her to accept for financial security.

Marriages are depicted as economic and social arrangements, with characters like Lizzie seeking wealthy husbands (Lord Fawn) and others like Mrs. Carbuncle arranging matches for financial gain, rather than love.

Marriages are depicted as economic and social transactions, exemplified by Lady Caroline's miserable union with the wealthy but coarse Torrance, and the pressure on Edith to accept Lord Millefleurs for his title and connections.

In each book

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