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Love and Illusion

Love is portrayed as both a redeeming force and a source of self-deception, as seen in the narrator's obsession with Nina and Fanny Ivanovna's sacrifice of respectability for a love that remains unfulfilled.

Love and Illusion appears as a literary theme in 6 works in the BetterReads curated set. Each book develops the idea in its own plot, voice, and historical moment — the links below open the book-scoped theme guide beside the text.

Love is portrayed as both a redeeming force and a source of self-deception, as seen in the narrator's obsession with Nina and Fanny Ivanovna's sacrifice of respectability for a love that remains unfulfilled.

Love is depicted as a fleeting, often painful illusion, with Lenox Leigh reflecting on love as 'an unnecessary affliction' and Maida's romantic summer with Lenox fading into a pragmatic marriage.

Romantic relationships in the novel are often built on self-deception, myth-making, and unfulfilled longing, such as Niels's chaste, theatrical affair with Mrs. Boye and Gerda Skinnerup's idealization of Niels, highlighting love as a fragile construct of the imagination.

Romantic relationships in the novel are often based on self-interest, deception, and social convenience, with Carrie's affections shifting based on material security and Hurstwood's passion masking his moral failings.

Jennifer Dubedat's idealized love for her husband blinds her to his moral flaws, while Ridgeon's infatuation with her leads him to make a fatal, unethical choice.

The book explores the contrast between romantic illusion and reality, as Kitty mistakes physical attraction and vanity for love with Townsend, while failing to recognize the genuine, selfless love Walter offers her.

In each book

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