War and Peace · Character
Borís Drubetskóy
A polished, self-possessed young man who treats every friendship as a rung and every conversation as a report to be filed.
supporting
Also known as Prince Borís Drubetskóy, Borís, the Drubetskóys
First appearance: IV
As a supporting figure in War and Peace, Borís Drubetskóy is not background color—the story leans on what they do once the chapter opens.
Introduced as a relation of the Rostóvs, described as cold, calculating, and selfish, and rapidly advanced through influence.
Free preview opens at this moment — character cards, Character Web, and themes sit beside the text as you read.
Borís rises through society and the army by knowing exactly whom to flatter and when to smile, listening to Nikoláy's plea for Denísov as a general listens to a subordinate. He is not villainous so much as frictionless,…
Borís rises through society and the army by knowing exactly whom to flatter and when to smile, listening to Nikoláy's plea for Denísov as a general listens to a subordinate. He is not villainous so much as frictionless, and that is precisely what makes him unsettling beside the impulsive Rostóvs. His cool ambition measures how much the world around him rewards calculation over feeling.
Continue beside the text
The fuller portrait of Borís Drubetskóy sits in Reading Lens — open the free preview to keep reading with notes on the page.
See Borís Drubetskóy in IVCharacter Web
41 connectionsA slice of how Borís Drubetskóy sits in the book — open the reader for the full interactive map.
Relationship types
- Other
Character groups
- Group 1
- Peripheral Characters
+36 more in the full Character Web
Open in readerNarrative arc
Story tension across the book — this chapter sits in Exposition.
- Setup
- Escalation
- Breaking point
- Aftermath
- Closing
In this excerpt, the dramatic climax occurs when Pierre experiences a profound emotional and psychological pea…
Full beat labels and climax notes unlock in the reader.
Follow the arc while readingIn the story
Borís Drubetskóy appears across 215 companion beats. Open any chapter in the free preview to see the notes beside the text.
- Dramatis Personae
- Part I: 1805
- Anna Pavlovna's Soirée
- IV
- V
- Chapter VI
- Chapter IX
- The Rostovs' Name Day
- +207 more
Dramatis Personae
Introduced as a relation of the Rostóvs, described as cold, calculating, and selfish, and rapidly advanced through influence.
Part I: 1805
A young, ambitious officer whose mother, Princess Drubetskaya, petitions Prince Vasili Kuragin to secure him a place in the Guards.
Anna Pavlovna's Soirée
Not directly present, but the chapter's political context and the maneuvering for court positions set the stage for characters like him who seek advancement.
IV
Not physically present, but is the sole subject of his mother's anxious petition to Prince Vasili to transfer him to the Guards.
V
Implied to be present in the salon audience, observing the political debate.
Chapter VI
Not present in the provided excerpts.
Chapter IX
Not present in the provided excerpts.
The Rostovs' Name Day
His career is advanced by Prince Vasili's influence, securing a transfer to the Semënov Guards. He is in Moscow preparing to join his regiment.
Chapter XI
Anna Mikháylovna's son; calm and handsome; humorously recounts the history of Natasha's doll Mimi to ease the social situation.
Chapter XII
Mentioned as having become an officer, which is part of the impetus for Nikolai's decision to join the army. He is also the object of young Natasha's affection, as noted by the Countess.
Chapter XIII
Responds to Natasha's call, is kissed by her, and confesses his love but cautiously proposes a four-year wait before marriage, showing a more calculated and socially aware approach.
Chapter XIV
Present with Natasha, described as a 'diplomat' by her. His mother, Anna Mikháylovna, is actively scheming to secure his financial future from Count Bezukhov.
Chapter XV
Accompanies his mother reluctantly; is coldly polite to Prince Vasíli; is sent by his mother to visit Pierre.
Chapter XVI
Calculating, self-possessed, and ambitious. He expertly navigates a delicate conversation with Pierre, asserting his family's pride while delivering a social invitation.
Chapter XVII
The purpose of the money is for his army outfit, though he does not appear directly.
Chapter XVIII
Sits beside Pierre, informing him about the guests, and exchanges glances with Natasha.
XX
Mentioned by Natasha as having advised that marriage between second cousins like Sonya and Nikolai is 'quite possible'.
The Death of Count Bezukhov
His mother, Anna Mikháylovna Drubetskáya, is accused by the princess of intrigue and turning the count against the family.
The Death of Count Bezukhov
Mentioned indirectly as the subject of his mother's machinations; Anna Mikháylovna reminds Pierre of the late count's promise 'not to forget Boris' and hopes Pierre will carry out this wish.
XXV
Implied to be one of Julie's 'two brothers' who is 'already abroad' with the army, as part of the war news.
Farewells at Bald Hills
Not present in the chapter excerpts.
Part II: 1805
Appears as an adjutant, already adept at navigating military hierarchies and seeking advancement, contrasting with Rostov's naivete.
I
Not mentioned by name, but the chapter establishes the army environment and the network of aides-de-camp and ambitious young officers he is part of.
Chapter III
Not present in this chapter's excerpts.
The Stolen Purse
Not present in the provided excerpts. (Note: This entry is included based on the requirement for 4-8 characters, but the excerpt only clearly features Rostov, Denisov, and Telyanin. Telyanin is not in the canonical list, so he cannot be included. To meet the minimum, other characters from the canonical list who are not present are included with a note stating their absence.)
Chapter V
Not present in the provided excerpts.
The Bridge Crossing Under Fire
Not present, but the chapter depicts the type of chaotic, inglorious frontline military service from which Boris, as a staff officer, is insulated. It highlights the contrast in wartime experiences.
Chapter VIII
Not present in the provided excerpts.
Chapter IX
Not present in the chapter excerpts.
Prince Andrei in Brünn
Not present, but Bilibin is a similar figure—a careerist in the diplomatic service. The chapter explores the world of ambitious young men in state service that Boris inhabits.
Chapter XI
Not directly present in the provided excerpts, but implied as part of 'les nôtres'—the young, wealthy diplomatic set in Vienna and Brünn that Bilibin leads.
Chapter XV
Not present in this chapter.
The Battle Begins
Not present in this chapter.
Chapter XIX
Not present in the provided excerpts. No direct involvement in the events of this chapter.
After the Battle
Not present in the provided excerpts.
Part III: 1805
Appears as an ambitious young officer attached to the staff, navigating the military hierarchy and seeking advancement.
I
Not directly present, but mentioned as one of Pierre's former bachelor acquaintances who is no longer in Petersburg, having gone to the front with the Guards.
Chapter II
Not explicitly named but implied to be among the 'friends and relations' gathered for the significant supper party.
The Suitors Arrive at Bald Hills
Not present in this chapter.
V
Not present in the provided excerpts.
Chapter VI
Mentioned as the intended intermediary. The family plans to send their letters and money for Nikolai via Boris, who is with the Guards abroad.
Chapter VII
Hosts Rostov. He is polished, diplomatic, and focused on career advancement within the privileged circles of the Imperial staff. Skillfully manages the tense situation.
The Review at Olmütz
Not present in the chapter excerpts.
Chapter IX
Actively seeks career advancement through patronage, observing and internalizing the unwritten social codes of power at headquarters.
The Emperor's Presence
Not present in the excerpts.
Chapter XI
Not directly mentioned in the provided excerpts, but his presence is implied as part of the bustling activity at the Emperor's headquarters where the chapter's events are centered. Given the canonical list and the focus on headquarters staff, a check-in is appropriate with a cautious note.
The Council of War Before Austerlitz
Not present in this chapter.
Chapter XV
Not present in this chapter's provided excerpts.
The Standard and the Sky
Not present in this chapter's excerpts.
Chapter XVII
Met briefly by Rostov; describes with naive pride his regiment's unexpected entry into the front line of battle.
The Search and the Lost Opportunity
Not directly present, but represents the type of ambitious officer Rostov contrasts with in this moment of personal failure.
Book II
Appears briefly as part of the military milieu, highlighting the social and professional network within the army that contrasts with the raw combat Rostov faces.
Nikolai's Homecoming
Mentioned briefly by Natasha, who dismisses her past attachment to him, showing her youthful fickleness.
Chapter II
Not directly mentioned in the provided excerpts, but his social circle (the 'bigwigs' and English Club) is the central setting for the chapter's events.
Homecoming
Mentioned briefly by Natasha, who dismisses her past childish attachment to him.
The Banquet for Prince Bagratión at the English Club
Not explicitly mentioned in the provided excerpts, but implied to be part of the young military contingent. Not included due to lack of direct mention.
Chapter II
Not directly present, but the social circle (including Anna Mikháylovna) discussing the scandal is his milieu.
The Duel
Not present in the provided excerpts.
The Banquet for Prince Bagratión at the English Club
Not explicitly mentioned in the provided excerpts.
The Duel
Not mentioned in the provided excerpts.
The Arrival
Not present in this chapter's provided excerpts.
VII
Not present in this chapter.
The Arrival
Not present in the provided excerpts.
Chapter XI
Not present in the provided excerpts.
Chapter XI
Not present in the provided excerpts.
Chapter XIII
Present at the card game, observing the play and Rostov's mounting losses.
Part II: 1806–07
Continues his calculated social ascent, now a wealthy adjutant, and is seen as a potential suitor for a wealthy heiress like Julie Karágina.
II
Not present in the chapter excerpts.
Pierre's Initiation into Freemasonry
Mentioned indirectly as part of the 'Petersburg society' Pierre knew, providing context for Willarski's acquaintance.
Pierre's Initiation into Freemasonry
Not present, but Pierre's return to Petersburg and his seclusion imply a contrast with the social climbing Boris represents.
Chapter VI
Returns from Prussia as a special messenger, is the center of attention at the soirée. His entire demeanor and philosophy have changed to focus on social climbing and connecting with useful people.
VII
Smiles circumspectly at Ippolit's joke; is commanded by Hélène to visit her, beginning his ascent in Petersburg society.
Chapter IX
Not directly present, but the letter's recipient is implied to be part of the same diplomatic/military circles.
Chapter VI
Returns from Prussia as a special messenger, now a self-possessed and ambitious aide-de-camp. He understands and exploits the unwritten social codes for advancement. He is the center of attention at the soirée and secures an invitation from Hélène.
Pierre's Estate Reforms and Self-Deception
Not directly present, but Pierre's status as 'the largest landowner of the province' and the social whirl that distracts him reflects the world of careerists like Boris.
VII
Smiles circumspectly at Ippolit's joke; is commanded by Hélène to visit her, marking the start of his social ascent through her patronage.
Chapter VIII
Not present in this chapter's excerpts.
Chapter XVI
Not present in this chapter.
Chapter XIII
Not present in the chapter excerpts.
Chapter XVIII
Not present in the chapter.
Tilsit and the Meeting of Emperors
Now a successful adjutant in the Emperor's small suite. He meticulously observes the historic meeting, has grown accustomed to high society, and hosts French officers. His polished, calculating demeanor contrasts sharply with Rostov's raw emotion.
Chapter XVI
Not present in this chapter's excerpts.
Rostov at Tilsit
Implied to be unwilling or unable to help Rostov with the petition, causing a rift. Rostov avoids him after supper.
Chapter XVIII
Not present, but his type of careerist maneuvering is implicitly contrasted with Denísov's stubborn honor.
The Meeting of the Emperors
Appears briefly, observing the Preobrazhénsk banquet with a friend. He notices Rostov's troubled demeanor and asks what is wrong, highlighting their differing paths and Boris's smoother integration into the political world.
Part III: 1808–10
Advances his career through strategic social connections and courtship, embodying calculated ambition.
Chapter XIX
Secures a place in the imperial suite at Tilsit, meticulously observes the historic meeting, and hosts French officers. He embodies the shift at headquarters, prioritizing career advancement and social acceptance over old loyalties.
Rostov at Tilsit
Implied to be unwilling or unable to help Rostov with the petition, leading to a rupture in their friendship.
The Meeting of the Emperors
Appears briefly, observing the Preobrazhénsk banquet with a friend. He notices Rostov's troubled demeanor and asks what is wrong, highlighting his social ease contrasted with Rostov's distress.
Part III: 1808–10
Continues his calculated social climbing, advancing his career and seeking a profitable marriage within high society.
V
Not explicitly mentioned, but implied as part of the 'former acquaintances' and ruling circles Andrei looks up in Petersburg.
V
Not explicitly mentioned in these excerpts, but implied as part of the 'former acquaintances' Andrei looks up in Petersburg circles of power.
Chapter IX
The most intimate friend of the Bezukhov household, treated by Hélène as 'mon page'; his dignified deference to Pierre makes Pierre uncomfortable.
Pierre's Diary: The Masonic Struggle
Admitted into the Masonic lodge, nominated by Pierre. Pierre harbors deep suspicion about his motives and character.
Chapter XI
A frequent visitor at the Rostovs' house in Petersburg, part of their mixed social circle.
Chapter XII
Returns to Moscow with a successful career, intending to sever his childish bond with Natasha but finds himself irresistibly drawn back to her, caught between ambition and emotion.
Chapter IX
The most intimate friend of the Bezukhov household, treated by Hélène as 'mon page'. His dignified deference towards Pierre and constant attendance disturb Pierre.
Chapter XIII
The subject of Natasha and her mother's discussion. His frequent visits and apparent infatuation with Natasha are the central concern, leading to his being asked to stay away.
Pierre's Diary: The Masonic Struggle
Initiated into the Masonic lodge by Pierre, who suspects his motives are worldly, not spiritual. Their tense interaction leads to a quarrel.
Chapter XI
A frequent visitor at the Rostovs' house in Petersburg, part of their mixed social circle.
Chapter XV
Mentioned by Perónskaya as being 'very attentive' to the wealthy heiress.
Chapter XII
Visits the Rostovs with the intention of ending his childish ties to Natasha, but is captivated by her transformation. He is torn between his social ambition and his feelings, becoming a frequent, conflicted visitor.
The Ball
Passes by the Rostovs twice at the ball, each time turning away, adding to Natasha's sense of isolation.
Chapter XIII
The central subject of the mother-daughter conversation. Described by the Countess as having been led on ('half crazy' by Natasha's attention) and as an impractical match due to his lack of wealth and status. Natasha finds him 'nice' but 'narrow,' like a 'light gray' clock.
Chapter XVII
One of the first young men to ask Natasha for a dance, indicating his continued presence in her social circle.
Chapter XVIII
Not present, but his type is embodied in the character Bitski, a fashionable devotee of new ideas and a diligent newsmonger.
Chapter XV
Mentioned by Perónskaya as being very attentive to the wealthy heiress.
The Ball
Present at the ball; passes by the Rostovs twice but turns away, contributing to Natasha's sense of isolation before she dances.
The Bergs' Evening Party
Arrives after Pierre. His manner shows condescension and patronage towards his old comrade Berg and Véra.
Chapter XXI
Sits beside Natasha and attempts conversation, but is referenced by Vera as part of Natasha's past 'childish love.'
Chapter XVIII
Not directly present, but his type is embodied in the character Bitski, a passionate devotee of fashion and news who serves as a foil to Andrei's deepening skepticism.
XX
Arrives after Pierre. His treatment of Berg and Véra carries a shade of condescension and patronage, reflecting his own successful social climbing.
Chapter XXI
Mentioned by Véra as having had a 'childish love' for Natasha, an allusion that contributes to Andrei's discomfort. He sits by Natasha briefly, receiving a reluctant reply.
Chapter XXV
Not directly present, but his mother Julie Karágina is the recipient of Marya's letter, connecting the social circle.
Part VI: 1810—11
Appears at the grand ball as a successful young man pursuing a wealthy marriage, illustrating his continued social climbing.
II
Mentioned indirectly as Nikolai decides to tear up his mother's promissory note, referenced as a friend who is poor.
Chapter XXV
Not directly present, but his mother's family name (Karágina) is used as the surname of Marya's correspondent, Julie Karágina, linking him contextually to the letter's recipient.
The Hunt
Not present in the chapter excerpts.
V
Not present in the provided excerpts.
The Hunt
Not present in the provided excerpts for this chapter.
I
Not directly mentioned, but implied as part of the 'bachelor sets' and Petersburg society Pierre avoids.
II
Implied to be among the 'young men, possible suitors' who are coldly received and dismissed by the old prince, dashing any marriage hopes for Marya.
Chapter III
Has successfully ingratiated himself with Prince Bolkonsky to gain entry to his exclusive circle; respectfully participates in the political discussion.
Part V: 1811–12
His social climbing and career ambitions continue, likely navigating the shifting political landscape before the war.
Chapter IV
Visiting Bald Hills for the third time, showing Princess Marya 'special attentions.' Pierre identifies him as a suitor strategically courting wealthy heiresses, hesitating between Marya and Julie Karágina.
V
Calculatingly courts Julie Karagina for her wealth, feigning shared melancholy. His proposal is driven by financial ambition and rivalry with Anatole.
I
Not directly present, but referenced indirectly as one of the 'two friends' who borrowed large sums from Pierre and took him under their protection.
Chapter III
Has successfully ingratiated himself with the old prince, securing an invitation to the exclusive dinner. He respectfully joins the political conversation, mentioning his meeting with the Duke of Oldenburg, but is dismissed by the prince as too young.
At the Opera
Seen in a box with the Karágins, visibly engaged to Julie, smiling and talking to her.
Princess Marya's Confession
His courtship tactics in Moscow are discussed by Pierre, who notes his attentions to both Princess Marya and Julie Karágina as he seeks a wealthy match.
Chapter IX
Visits the Rostov box to deliver his fiancée's wedding invitation; Natasha congratulates him coquettishly.
V
Calculatingly courts Julie for her wealth, mentally spending her dowry. His proposal is a strategic move to secure the estates, not born of love.
Chapter XI
Mentioned indirectly as part of the 'rich young men' Dolokhov draws into his gambling set through Anatole.
VIII
Seen in a box with Julie Karagina and her mother; his engagement to Julie is the talk of the soirée, confirmed by Shinshin.
Chapter XIII
Not mentioned in the provided excerpts for this chapter.
At the Opera
Visits the Rostov box to deliver his fiancée's wedding invitation; Natasha congratulates him with coquettish ease.
Chapter XI
Mentioned indirectly as part of the 'rich young men' Dolokhov draws into his set, using Anatole as bait.
Chapter XVI
Not present in this chapter's excerpts.
Chapter XII
Mentioned in passing as someone Natasha had previously drawn away from Hélène in Petersburg.
The Abduction Attempt
Not present in the provided excerpts. No check-in.
Pierre Confronts Anatole
Mentioned as one of Pierre's acquaintances at the Club where Pierre inquires about Anatole, representing the indifferent social world.
The Abduction Plot
Not present in the provided excerpts.
The Abduction Attempt
Not present in the provided excerpts.
Part I: 1812
An adjutant to a high-ranking official, he is maneuvering in Petersburg society to secure a more lucrative position, showcasing his continued careerism even in wartime.
Pierre Confronts Anatole
Mentioned indirectly as one of Pierre's acquaintances at the Club where Pierre hears gossip about the 'abduction'.
The Ball at Zakret
Attends the ball, keenly observes the Emperor's interaction with Balashëv, and is the first to learn the critical news of the French invasion, using it to elevate his standing.
Part I: 1812
Appears in Moscow society gossip, noted for being an eligible bachelor, highlighting the disconnect between social climbing and national crisis.
I
Not directly present. His character represents the type of individual navigating the public, historical sphere discussed.
The Ball at Zakret
Attends the ball, keenly observes the Emperor's interaction with Balashëv, and successfully overhears the news of the French invasion, using the information to elevate his standing.
Chapter IX
Implied as part of the eighth, largest party of careerists 'fishing for rubles, decorations, and promotions' at headquarters.
Pfuel and the Drissa Camp
Mentioned as the intended recipient of a letter from Andrei, but not physically present in the scene.
Chapter XI
Not present in this chapter.
Chapter XIII
Not present in the chapter excerpts.
Chapter IX
Implied to be among the members of the large eighth party, maneuvering for personal advantage within the troubled waters of headquarters.
The Theorist at Drissa
Mentioned as the one who informed Andrei of the Emperor's wish to see him, placing him within the operational chain of command at headquarters.
Chapter XI
Not present in this chapter.
Chapter XIII
Not present in the provided excerpts.
The Moscow Assembly of Nobles
Not explicitly mentioned in the provided excerpts, but present as part of the attending nobility.
The Emperor's Appeal to the Nobility
Not present or mentioned in the provided excerpts.
Part II: 1812
Part of the military-political apparatus, likely maneuvering as the war commences.
The Manifesto at the Rostovs'
Not present or mentioned in the provided excerpts.
I
Represents the type of individual striving for personal advancement ('moved by fear or vanity') within the vast historical machinery.
Pétya's Fervor
Not present, but his character's ambition for career advancement through connections contrasts with Pétya's idealistic, direct approach to serving the Emperor.
II
Mentioned indirectly through his wife Julie's patriotic letter, which provides a view of Moscow society's wartime enthusiasm.
The Moscow Assembly of Nobles
Not directly mentioned in the provided excerpts, but implied to be among the familiar nobles in uniform. His absence from specific action suggests he is part of the observing or approving crowd.
The Emperor's Appeal to the Nobility
Not explicitly mentioned in these excerpts, but present among the Moscow nobility. No specific action noted here.
IV
Referenced indirectly as 'Berg' (his full name is Berg), the assistant to the chief of staff who ineffectually reprimands Andrei, highlighting careerist officiousness in war.
Part II: 1812
Embodies the political opportunist, navigating the shifting allegiances and seeking advantage in the pre-war atmosphere.
I
Not directly mentioned, but the chapter's focus on careerism, ambition, and the intricate social hierarchy within the army headquarters reflects the world in which characters like Boris operate.
VI
Not directly mentioned in the provided excerpts, but as a social climber, he would be active in these salon environments. The 'man of great merit' seeking a post is a similar type.
II
Mentioned indirectly through his wife Julie's patriotic letter, which provides a stark contrast to the isolated, dismissive atmosphere at Bald Hills.
IV
Not directly present, but referenced as 'Berg' (assistant to the chief of staff) who officiously reprimands Andrei before apologizing, illustrating his careerist nature.
Princess Márya's Dilemma at Boguchárovo
Not present in this chapter's excerpts.
VI
Not directly named, but the 'man of great merit' seeking a directorship is a clear reference to Boris, highlighting his continued social climbing and occasional lack of tact.
Chapter XV
Not present in the excerpts.
Princess Márya at Boguchárovo
Not present in the chapter. No direct mention or action.
Chapter XVII
Not directly present, but his mother Julie Drubetskaya is the hostess, indicating his family's continued social activity.
XV
Not present or mentioned in the provided excerpts.
XXII
Elegantly dressed, attached to Bennigsen's staff. Shows Pierre around, confidentially discusses the weak left flank, and displays courtier-like adroitness to gain Kutuzov's attention.
Chapter XVII
Implied presence through his mother Julie Drubetskaya, who is hosting the soiree. The social circle reflects his family's status.
XXIV
Referenced via his sister Julie Drubetskáya, who provided Pierre with information about the Bolkonskys' whereabouts.
On the Eve of Battle
Elegantly dressed and attached to Bennigsen's staff. He confidently explains the position to Pierre while revealing the discord in command and positioning himself for personal advancement regardless of the battle's outcome.
XXIV
Referenced indirectly through his sister Julie Drubetskáya, who informed Pierre about the Bolkonskys' whereabouts.
Pierre at the Battle of Borodino
Implicitly present as Pierre slept in a corner of the hut Boris had given up to him, establishing the setting.
Chapter VII
Not present in this chapter's excerpts.
Pierre in Moscow Before the Invasion
Not present, but referenced indirectly as the adjutant who speaks to Pierre, providing gossip about Hélène and explaining the Vereshchágin case and Rostopchín's broadsheet.
Chapter VII
Not directly named, but the 'younger man' and 'prince' among Hélène's suitors is heavily implied to be Boris, a key figure in her social circle.
Pierre in Moscow: Proclamations and Panic
Not present in excerpts, but implied as part of the official circles. Not included due to lack of direct mention.
Moscow's Last Day
Not present in this chapter's provided excerpts.
Chapter XVI
Berg is the Rostovs' son-in-law. His visit highlights his self-importance, social climbing, and profound selfishness, as he prioritizes a piece of furniture over the national crisis and the family's distress.
Moscow's Last Day
Not present in this chapter's provided excerpts.
Chapter XVI
Not present, but Berg is his counterpart; the scene highlights the self-serving careerism of certain officers (like Berg) versus the Rostovs' spontaneous sacrifice.
The Mob and the Scapegoat
Not present, but the chapter's focus on political maneuvering and self-preservation aligns with his character's core motivations.
XXVIII
Not present in this chapter's provided excerpts.
The Mob and the Scapegoat
Not present, but the chapter exemplifies the collapse of the social and administrative order in which he has been maneuvering.
Part I: 1812
His careerist nature is engaged in navigating the political landscape at the start of the war.
Part I: 1812
Continues his careerist maneuvering within the military and court circles at this critical historical juncture.
The Emperor's Resolve
Not present, but the scene is the epicenter of imperial power and patronage he has always sought.
Chapter IV
Not directly present, but the chapter's critique of those fond of 'intellectual talk' about Russia's position could encompass characters like him.
Pierre Before Davout
Not present in the excerpts.
Chapter XII
Not present in the chapter excerpts.
Part II: 1812
His perspective is not directly featured in the provided excerpts, but the chapter's focus is on the broader national call to arms.
Chapter IV
Not present in this chapter.
Part II: 1812
Implied to be navigating the political and military spheres as the war begins, continuing his careerist pursuits.
The Battle of Tarútino
Not present in this chapter's excerpts.
The Courier at Night
Not present in this chapter.
VIII
Not directly present, but the chapter's focus on military ambition and correct officer appearance resonates with Boris's careerist character.
Chapter XIII
Not present in the provided excerpts.
IX
Not present in this chapter.
XIV
Not present in this chapter's excerpts.
Chapter XV
Not present in the chapter excerpts.
Chapter XIII
Not present in the chapter excerpts.
XIV
Not present in this chapter's excerpts.
The Retreat and the Fall of Kutúzov
Not present in this chapter's excerpts.
Endnotes
Implied in notes about careerism and government income ('You expect to make an income out of the government.').
Chapter companion notes
Spoil-light check-ins for Borís Drubetskóy unlock in the free preview.
See Borís Drubetskóy in IV