The Woman in White · Theme
Madness and Sanity
How The Woman in White develops Madness and Sanity.
The line between sanity and madness is blurred, particularly through Anne Catherick's confinement in an asylum and the use of medical authority to label inconvenient women as insane for social or financial gain.
Where it surfaces
- V
Walter grapples with the ambiguity of Anne Catherick's mental state, questioning whether she is a victim or truly insane.
- Chapter VIII
Anne Catherick's intellectual slowness and her association with the asylum contrast with Laura's apparent normalcy, yet their identical appearance challenges clear distinctions.
- XIII
Anne's behavior oscillates between childlike innocence and maniacal fury, challenging the reader's perception of her sanity and questioning the legitimacy of her confinement.
- Marian's Diary: The Fever and Fosco's Postscript
Marian's feverish state blurs her rationality, leading to fragmented writing and fear of losing her mind.
- The Narrative of Hester Pinhorn, Cook in the Service of Count Fosco
Lady Glyde's rambling, confused speech and convulsions echo earlier themes of mental distress; the Count's eccentric behavior borders on the irrational.
- The Story Continued by Mrs. Catherick
Anne is described as half-witted and her belief about the secret is framed as a fixed delusion, reflecting Victorian attitudes toward mental illness.
- The Story Continued by Isidor, Ottavio, Baldassare Fosco; Count of the Holy Roman Empire, Knight Grand Cross of the Order of the Brazen Crown, Perpetual Arch-Master of the Rosicrucian Masons of Mesopotamia; Attached (In Honorary Capacities) to Societies Musical, Societies Medical, Societies Philosophical, and Societies General Benevolent, Throughout Europe; etc. etc. etc.
Anne Catherick is described as having escaped a madhouse; Fosco contemplates assisting 'worn-out Nature' in finding repose.