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The Titan · Theme

Individual vs. Society

How The Titan develops Individual vs. Society.

The book pits Cowperwood's titanic individualism against the masses and their advocates, exploring the tension between the 'strong' who reshape the world and the 'weak' who resist, with the author questioning whether society can ever balance the needs of the many against the ambitions of the few.

Where it surfaces

  • The New City

    Cowperwood feels ostracized by Philadelphia society and decides to forge his own path in the West, alone and unaided.

  • A Reconnoiter

    Cowperwood's hidden prison record and plans to defy social conventions (divorce and remarriage) highlight his conflict with societal norms as he seeks personal freedom.

  • Concerning a Wife and Family

    Cowperwood's rejection of social expectations and his determination to dictate terms to society highlight his individualistic, anarchistic nature.

  • An Overture to Conflict

    Aileen's social failure and fear of losing Cowperwood highlight the tension between personal desires and societal expectations of marriage and status.

  • XVIII: The Clash

    Rita Sohlberg's pagan indifference to social morality contrasts with Aileen's conventional anguish.

  • The Coming of Stephanie Platow

    Stephanie Platow's exploration of her artistic and sexual desires outside conventional social norms, as seen in her affair with Knowles.

  • XXVII: A Financier Bewitched

    Stephanie's free, artistic lifestyle clashes with Cowperwood's conventional expectations of loyalty and possession.

  • A Family Quarrel

    Aileen's private anguish contrasts with the public gossip and social scrutiny she faces.

  • XXXVII: Aileen’s Revenge

    Aileen's defiance of social norms and Cowperwood's public battles reflect the tension between personal desires and societal expectations.

  • XLI: The Daughter of Mrs. Fleming

    Berenice's disdain for the boarding-school's conventions and her superior attitude reflect her struggle against societal expectations and her desire to assert her own identity.

  • Mount Olympus

    Cowperwood stands alone against the collective might of Chicago's financial establishment, embodying the conflict between the individual financier and the societal power structure.

  • LIII: A Declaration of Love

    Berenice's desire to leave society and teach dancing clashes with her mother's and Cowperwood's expectations of a suitable marriage.

  • LVI: The Ordeal of Berenice

    Berenice struggles between her desire for personal fulfillment through art or dance and the societal expectations that demand she marry for security and status.

  • LVII: Aileen’s Last Card

    Aileen's struggle against societal expectations and her own desires, as she grapples with her husband's infidelity and her own actions in a judgmental social world.

  • LX: The Net

    Both Cowperwood and Berenice stand against societal norms—Cowperwood through his contempt for the masses, Berenice through her determination to carve her own path despite ostracism.

  • LXI: The Cataclysm

    Cowperwood stands against the mobilized populace and reformist press, embodying the conflict between corporate power and democratic will.

  • In Retrospect

    The central theme of the chapter: the eternal struggle between the individual (Cowperwood) and the mass, with the balance shifting between them.