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The Red and the Black · Chapter

Chapter II. A Mayor explained

This chapter introduces M.

What happens

This chapter introduces M. de Rênal, the mayor of Verrières, and his preoccupation with public reputation and utility. It describes his pride in the public promenade, his authoritarian management of trees, and his irritation with a Parisian visitor, M. Appert, who inspected local institutions. Madame de Rênal appears as a dutiful wife, concerned with their children, while the town's obsession with 'bringing in profit' is highlighted.

Free preview opens on this chapter — companions, themes, and character notes appear beside the text.

Narrative arc

Story tension across the book — this chapter sits in Exposition.

SetupEscalationAftermathClimax
  • Setup
  • Escalation
  • Breaking point
  • Aftermath
  • Closing

Mathilde’s pride—her defining trait—shatters here as she openly begs Julien for reassurance, weeping and admit…

Full beat labels and climax notes unlock in the reader.

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Themes in this chapter

Characters to notice

  • M. de Rênal

    The mayor of Verrières, proud of his administrative achievements and sensitive to criticism, especially from Parisian visitors.

  • Madame de Rênal

    The mayor's wife, appears as a caring mother and timidly questions her husband's fears about M. Appert.

  • M. Valenod

    Director of the workhouse, mentioned as sharing the mayor's opinion of the promenade.

  • M. Appert

    A Parisian gentleman who visited the prison, workhouse, and hospital, causing M. de Rênal's displeasure.

  • M. Maslon

    A young ecclesiastic who appropriates tree clippings, adding to the mayor's authoritarian practices.

  • Curé Chélan

    Mentioned as the target of M. Maslon's surveillance, indicating local clerical tensions.

  • Stanislas-Xavier

    One of the three little boys, likely the eldest, who is warned by his mother near the parapet.

Key passages

  • “Bringing in profit is the consideration which decides everything in this little town which you thought so pretty.”

    The primary motivation for the townspeople is financial gain, overriding any appreciation for beauty.

    This captures the utilitarian ethos of Verrières.

  • “I like the shade, I have my trees clipped in order to give shade, and I cannot conceive that a tree can have any other purpose, provided of course it is not bringing in any profit, like the useful walnut tree.”

    M. de Rênal justifies the pruning of trees solely for shade, dismissing any other value unless it yields profit.

    Shows the mayor's authoritarian and profit-driven mindset.