Mrs. Fielder-Flemming

Sir Charles Wildman

Mrs. Fielder-Flemming and Sir Charles are both members of the Crimes Circle, working together on the murder investigation.

Roger Sheringham

Mrs. Fielder-Flemming and Roger Sheringham are colleagues in the Crimes Circle, though she often challenges his theories.

Miss Dammers

Miss Dammers and Mrs. Fielder-Flemming are both members of the Crimes Circle, though they have differing approaches to the investigation.

Roger Sheringham

Mrs. Fielder-Flemming and Roger Sheringham are colleagues in the Crimes Circle, though she often challenges his theories.

Sir Charles Wildman

Mrs. Fielder-Flemming and Sir Charles are both members of the Crimes Circle, working together on the murder investigation.

Roger Sheringham

Mrs. Fielder-Flemming and Roger Sheringham are colleagues in the Crimes Circle, though she often challenges his theories.

Sir Charles Wildman

Mrs. Fielder-Flemming and Sir Charles are both members of the Crimes Circle, working together on the murder investigation.

Miss Dammers

Miss Dammers and Mrs. Fielder-Flemming are both members of the Crimes Circle, though they have differing approaches to the investigation.

Miss Dammers

Miss Dammers and Mrs. Fielder-Flemming are both members of the Crimes Circle, though they have differing approaches to the investigation.

The Poisoned Chocolates Case

Accuses Sir Charles's daughter's suitor of the murder.

I

Playwright and member; pouts at Roger's suggestion and nudges Alicia Dammers.

IV

Drawn second to present. Makes dramatic comments about seeing the Bendixes at the theater and about Mrs. Bendix's fatal bet with Death.

VI

Remarks on the difficulty of connecting Lady Pennefather to the typewriter used for the letter.

VII

Presents a detailed theory linking the Bendix case to the Molineux case, accusing Sir Eustace Pennefather and indirectly implicating Sir Charles's daughter.

VIII

Presents a detailed case against Sir Charles, later reveals Sir Eustace's mercenary motives.

IX

Mentioned by Moresby as the one who theorizes that Sir Charles Wildman is guilty.

XI

Delivers a tart verdict that Mr. Bradley has no idea who the real criminal is, and notes the parallel with the Wilson case.

XII

Referenced in comparison to Roger's willingness to spend money on the investigation.

XIII

Comments on Roger's lyrical description of the murder.

XIV

Questions the motive initially, then concedes Roger may be right; apologizes to Sir Charles Wildman.

XV

Participates in the discussion, catching on to the triangle and suggesting Mrs. Bendix's involvement.

XVI

Reacting with excitement to the revelation of the affair between Joan Bendix and Sir Eustace.

XVII

Interrupts to defend her sex and presses Mr. Chitterwick on the typewriter evidence.

XVIII

Her inference about the criminal's criminology knowledge is validated by Mr. Chitterwick.