The Phantom of the Opera · Chapters
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Chapter companions for The Phantom of the Opera by Gaston Leroux.
Each chapter has a companion in the reader — open a free preview to see notes beside the text.
Chapter 1
Prologue
The narrator, Gaston Leroux, asserts that the Opera Ghost truly existed in flesh and blood, not merely as a superstition. He describes his investigation into the archives of the National Academy of Music, uncovering coincidences between ghostly phenomena and the tragic Chagny case involving Christine Daaé, the Vicomte de Chagny, and Count Philippe. After meeting the examining magistrate M. Faure and the Persian, who provides proof of the ghost's existence, Leroux becomes convinced. He thanks various witnesses and acknowledges the discovery of a corpse later identified as the Opera ghost.
Chapter 2
I: Is It the Ghost?
At a gala performance marking the retirement of managers Debienne and Poligny, the ballet girls of the Opera panic after little Jammes claims to have seen the Opera Ghost. The ghost legend, fueled by descriptions from the late scene-shifter Joseph Buquet, has grown among the corps de ballet. Sorelli, a superstitious dancer, investigates a noise at her door but finds nothing. Little Meg Giry reveals that Box Five is reserved for the ghost, who is heard but never seen. The chapter ends with the news that Joseph Buquet has been found dead, hanging in the third cellar, deepening the mystery and fear.
Chapter 3
II: The New Margarita
Christine Daaé gives a triumphant performance at a gala, singing the role of Margarita in Faust and astonishing the audience. After fainting, she is carried to her dressing room, where Raoul de Chagny, recognizing her as the girl he once rescued, declares his love. He overhears a mysterious man's voice in her room commanding her love, but when he investigates, the room is empty.
Chapter 4
The Mysterious Reason
During the farewell ceremony for retiring managers Debienne and Poligny, the Opera ghost makes a startling appearance at the supper table, announcing the death of Joseph Buquet. The new managers, Firmin Richard and Armand Moncharmin, are later taken aside and warned about the ghost's demands, including a monthly allowance of twenty thousand francs, as recorded in a mysterious addendum to the Opera's memorandum-book.
Chapter 5
Box Five
The new managers, Firmin Richard and Armand Moncharmin, receive a letter from the Opera Ghost demanding Box Five and criticizing their artistic choices. They initially dismiss it as a joke by their predecessors, Debienne and Poligny, but after selling the box, they receive complaints from the inspector about disturbances. Box-keeper Mame Giry insists the box is reserved for the Ghost, who leaves gifts and tips. The managers decide to investigate the matter themselves.
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24 more companions → free preview- Chapter 6The Enchanted Violin
- Chapter 7A Visit to Box Five
- Chapter 8Faust and What Followed
- Chapter 9The Mysterious Brougham
- Chapter 10At the Masked Ball
- Chapter 11Forget the Name of the Man's Voice
- Chapter 12XI: Above the Trap-Doors
- Chapter 13Apollo's Lyre
- Chapter 14A Masterstroke of the Trap-Door Lover
- Chapter 15The Singular Attitude of a Safety-Pin
- Chapter 16Christine! Christine!
- Chapter 17Mme. Giry’s Astounding Revelations as to Her Personal Relations with the Opera Ghost
- Chapter 18XVII: The Safety-Pin Again
- Chapter 19XVIII: The Commissary, the Viscount and the Persian
- Chapter 20The Viscount and the Persian
- Chapter 21In the Cellars of the Opera
- Chapter 22Interesting and Instructive Vicissitudes of a Persian in the Cellars of the Opera
- Chapter 23In the Torture Chamber
- Chapter 24XXIII: The Tortures Begin
- Chapter 25XXIV: “Barrels!… Barrels!… Any Barrels to Sell?”
- Chapter 26XXV: The Scorpion or the Grasshopper: Which?
- Chapter 27XXVI: The End of the Ghost's Love Story
- Chapter 28Epilogue
- Chapter 29Endnotes