I
The protagonist, deeply attuned to nature, walks at dawn and experiences an intense, self-contained joy and love for life.
II
Felise runs up the hill with extraordinary vigor, her body perfected by a natural life; she conquers the summit and feels a deep, triumphant connection to the earth and sky.
III
Felise is depicted as a woman of profound inner passion, whose love predates any specific object and infuses her experience of nature, literature, and physical activity.
IV
Felise is the focal point of the chapter, experiencing an ecstatic, selfless love for Martial as she communes with nature at dawn.
V
Felise walks to the beech tree, carves a mark into the bark, and anxiously watches Martial Barnard ride past. Her emotions fluctuate between hope, frustration, and self-consciousness.
VI
Felise orchestrates the meeting, using every gesture and word to keep Barnard with her. She is passionately in love, bold yet vulnerable, and later experiences intense emotional swings.
VII
Absent from the scene but present through the carved initial, the handkerchief, and Barnard's memories of her look.
VIII
Felise struggles with her feelings for Martial, visits the beech tree, and contemplates her helplessness as a woman.
IX
Felise experiences a deepening gloom that turns to anger, leading to a silent, unchangeable resolve to win Martial. She stands in the sunshine, her features set, and later sits to think, rejecting the powerlessness of women and vowing to force circumstances.
X
Gazes at her reflection, delights in her own beauty, and plots ways to encounter Martial Barnard.
Chapter XI
Bathes and swims in the pool, then rests on the grass, experiencing a profound connection with nature.
XII
Referenced through the handkerchief and plaited mane that Barnard discards; she is the object of his recent encounter.
XIII
First seen by Barnard at the harriers; her beauty becomes an irremovable mental image that poisons his relationship with Rosa.
XIV
Observed by Martial at dawn and later by the pool; her beauty and passionate gaze captivate him.
XV
Uses fishing as a pretext to wander Martial's fields; preoccupied and impatient to meet him.
XVI
Fishes as a pretense to linger near Martial's property; visits his house and befriends Miss Barnard to advance her scheme.
Chapter XVII
Visits the elderly couple, pities them, and resolves to speak to her uncle Mr. Goring about their plight.
XVIII
Observes the argument, intervenes, and questions Godwin about Ruy's purchase, showing her growing concern for Martial.
The Works of Robert Godwin
Mentioned as having spent the long summer evening sitting by the sundial dreaming, in contrast to Godwin's ceaseless activity.
XXI
Felise is the object of Godwin's love, first seen as a child playing in the meadow. She is described as beautiful and free-spirited, unaware of Godwin's feelings.
XXII
Felise wanders the countryside with joy, learning nature and classics from her uncle, and remains true to her own heart.
XXIII
Now a woman, she is preoccupied with Martial's financial troubles and visits Godwin's house to see Ruy.
XXIV
Visits Godwin to see Ruy, pleads for Abner Brown's cottage, and eventually buys Ruy for seventy pounds.
XXV
Hurries to town to pawn her pearls and withdraw savings to pay for the horse Ruy, which she bought impulsively.
I
Felise is observed driving through town; her beauty and presence are the catalyst for Rosa's emotional turmoil.
II
Buys Ruy from Godwin and arranges for Abner to deliver the horse and a note to Martial Barnard.
The Miller of Glads Mill
As a girl, Felise wanders to Glads Mill, watches the wheel, and gives Luke Bond three red roses, an act that leaves a lasting impression on him.
IV
Felise is unaware of Mary's secret meetings and Martial's scheming. She is described as beautiful, kind, and unaffected, and is the object of Martial's aesthetic interest. She also makes visits to Robert Godwin's home, which puzzle Mary.
V
Listens to Mary's confession, becomes determined to help old Abner Brown, and arranges to take him to see the Squire.
VI
Drives with Abner, sees Mrs. Cornleigh Cornleigh but decides not to appeal to her, learns of the cruel estate law for the first time, and proceeds to the justice-room.
VII
Accompanies old Abner Brown through the altered town, guiding him to the justice-room and observing the changes.
VIII
Felise enters the justice-room, drawing attention from the magistrate's clerk and others due to her exceptional loveliness in simple black dress, but the Squire appears not to notice her.
XI
Attempts to advocate for old Abner Brown before the magistrate, showing compassion and persistence despite the Squire's refusal to act independently.
XII
Sits with Martial in Godwin's garden, deeply absorbed in her feelings for him while discussing Shakespeare and social injustice.
XIII
Felise sits with Martial, secretly admiring his voice, lips, hands, and hair, and wishing he would look at her. She reflects on giving him his horse back and anticipates her father's anger.
XIV
Secretly bought Ruy for Martial; her love for Martial is revealed; she is unaware of Godwin's surveillance.
XV
Portrayed as the passionate pursuer in the relationship with Martial; she eagerly participates in meetings arranged by Godwin.
Chapter XVI
Felise is consumed by her love for Martial, seeing the beauty of the earth through her passion and feeling that he completes the world around her.
XVII
Waits anxiously for Martial, correctly interprets the Misses Barnard's hostility, and counsels Martial to sell his horse.
Miller Bond
Referenced by Miller Bond as 'Miss Goring' and the giver of three red roses, which motivates his desire to help but also causes his panic.
XIX
Appears to Martial in a vision during his struggle in the well, inspiring him to continue.
XX
Clad in black mourning for Mary Shaw, waits for Martial under the chestnut tree, reflecting on her love and sorrow.
XXI
Arranged for Mary Shaw's oak coffin, showing compassion despite the circumstances.
XXII
Accompanies Mr. Goring to the meeting; is distressed by the loss of Mary and the violence of the crowd; gives Abner Brown half-a-crown for beef and ale.
XXIII
Observes the meeting, noting Martial's reluctance to speak and Godwin's fixed gaze on him.
XXIV
Present at the meeting, asks Martial if he is hurt after the uproar.
XXV
Walks by the brook, is ambushed and bound by Godwin, rescued by Martial, and awakens to his love.
XXVI
Sustains no serious injury from the attack; supports Martial after his emotional confession; interacts with Cornleigh and Abner.
XXVII
Springs in front of Martial to protect him and receives a glancing blow on her arm from Godwin; she is the recipient of Rosa's whispered 'I hate you!'
XXIX
Marries Martial Barnard; previously begged that Godwin's assault on her not be made public.
The Dawn of Fulfillment
Wakes early, watches the dawn, and experiences profound joy and rest in her fulfilled love.
