Deception and Identity

Where it surfaces

• The Arrests

  Lupin's false identity as a rescuer and his escape demonstrate the theme of deception.

• II: Eight from Nine Leaves One

  Lupin uses the alias Michel Beaumont; Daubrecq detects Lupin's hidden presence.

• The Home Life of Alexis Daubrecq

  Lupin and Victoire assume false identities to infiltrate Daubrecq's home, and the mysterious woman conceals her true intentions and identity.

• IV: The Chief of the Enemies

  Lupin disguises himself as a retired tradesman; the child's identity as the 'chief of the enemies' is a deception.

• VI: The Death-Sentence

  Lupin's disguise as Dr. Vernes and Daubrecq's unmasking of him underscore the theme of hidden identities and strategic deception.

• VII: The Profile of Napoleon

  Lupin disguises himself as the timid M. Nicole to gain information from Prasville.

• VIII: The Lovers’ Tower

  Lupin uses a forged letter from Euphrasie Rousselot to gain Daubrecq's trust, demonstrating deception.

• IX: In the Dark

  Daubrecq deceives Clarisse by watching her instead of being watched; Lupin uses aliases like M. Nicole and Mme. Audran.

• X: Extra-Dry?

  Lupin disguises himself as M. Nicole to infiltrate Daubrecq's plans and ambush him.

• The Cross of Lorraine

  Lupin operates under the alias M. Nicole, and the chapter involves deception through disguises, hidden identities, and the manipulation of appearances.

• The Last Battle

  Lupin's multiple aliases (M. Nicole) and the hidden list in Daubrecq's glass eye underscore the theme of concealed identity and trickery.