The Power of Storytelling

Where it surfaces

• Book First

  The chapter uses verse to frame Ettarre's introduction, emphasizing the power of storytelling in shaping perception.

• I: Palliation of the Gambit

  The chapter emphasizes the importance of dreams and storytelling as a means to approach assurance that life is not blind or aimless.

• VI: Treats of Maugis d’Aigremont’s Pottage

  Horvendile's manipulation and the unfolding drama highlight the constructed nature of events.

• VII: Journey's End: With the Customary Unmasking

  Horvendile's confession that he is the author of the romance highlights the creative power of storytelling and the relationship between creator and creation.

• Book Second

  The poet's call to let fictions fly before the beloved's glory underscores the creative power of narrative to capture the unattainable.

• VIII: Of a Trifle Found in Twilight

  Kennaston muses on the ending he has devised for his romance, considering its aesthetic satisfaction and the way stories shape and are shaped by the storyteller's unconscious mind.

• IX: Beyond Use and Wont Fares the Road to Storisende

  The act of writing transforms Kennaston's perception, making the fictional world seem more authentic than daily life.

• Of Idle Speculations in a Library

  Kennaston reflects on how books allow escape from one's own personality and transport the reader across time and space.

• XI: How There Was a Light in the Fog

  The shared dream and the sigil of Scoteia suggest a narrative force connecting Kennaston and Ettarre.

• XII: Of Publishing: With an Unlikely Appendix

  The novel's eventual success through controversy demonstrates how storytelling can captivate the public, even if briefly.

• XIV: Peculiar Conduct of a Personage

  The personage's cryptic remarks about Kennaston's book and the sigil suggest the narrative's influence beyond the page.

• XVIII: Treats of a Prelate and, in Part, of Pigeons

  The prelate warns Kennaston that his romance has touched on real, dangerous secrets, showing how fiction can inadvertently reveal truth.

• XIX: Local Laws of Nephelococcygia

  Kennaston's book 'Men Who Loved Alison' seems to have prefigured his dream encounters, blurring the line between creation and experience.

• XXI: In Pursuit of a Whisper

  Kennaston finds parallels in legends and literature, suspecting that creative writers have shared his divided life and that muses may have audibly prompted composition.

• Book Fourth

  Horvendile's revelation underscores the theme that stories and dreams are created realities with their own truth.

• XXIII: Economic Considerations of Piety

  The chapter shows how old tales are repackaged (Christ as a variation of earlier myths) and how narratives (miracles, martyrdom) are crafted to influence belief.

• XXV: Byproducts of Rational Endeavor

  Kennaston's narrative frames these historical episodes as stories within a larger tale, showing how events are shaped by the stories we tell about them.

• XXVIII: The Shallowest Sort of Mysticism

  Kennaston compares human existence to a romance or puppet-play, implying that life is a narrative shaped by an Author for artistic purposes.

• XXXI: Horvendile to Ettarre: At Whitehall

  Kennaston's desire to use foreknowledge to influence Cromwell highlights the power of narrative and historical understanding.

• XXXII: Horvendile to Ettarre: At Vaux-le-Vicomte

  The chapter highlights how poets like Molière and Horvendile himself are driven by glimpses of beauty, and how stories shape reality.

• XXXV: Treats of Witches, Mixed Drinks, and the Weather

  The discussion of witchcraft and the Sabbat reveals how folklore and superstition persist, and how stories shape understanding of the occult.

• XL: Which Mr. Flaherty Does Not Quite Explain

  The narrator frames Kennaston's life as a parable, and the sigil's 'meaning' is created by Kennaston's narrative and belief.