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The Cloven Foot · Theme

Bohemianism vs. Respectability

How The Cloven Foot develops Bohemianism vs. Respectability.

John Treverton's past life as a Parisian artist and 'Jack Chicot' contrasts sharply with his later role as a country squire, highlighting the conflict between artistic freedom and the demands of respectable society.

Where it surfaces

  • La Chicot

    The Chicots' extravagant, pleasure-seeking life contrasts sharply with the respectable, orderly habits of Mrs. Rawber, highlighting the tension between bohemian and conventional values.

  • La Chicot Has Her Own Way

    Jack's life as a draughtsman and his wife's career as a ballet dancer contrast with his longing for respectability and a life free from scandal.

  • Days That Are Over, Dreams That Are Done

    La Chicot's life as a dancer and the bohemian world of the theatre are contrasted with the domestic ideal.

  • XIV: “You Have but to Say the Word”

    La Chicot's reckless, bohemian lifestyle contrasts with the offers of a respectable house in Mayfair from Lemuel.

  • Edward Clare Discovers a Likeness

    The contrast between Laura's secluded, respectable life at Hazlehurst and Chicot's Bohemian existence in London is emphasized.

  • XVII: Murder

    The lodging house inhabitants include a tragic actress and a woman of questionable habits, contrasting with the respectable horror of murder.

  • The Children's Party

    Edward describes the suspicious man as a 'London Bohemian' and a swindler, contrasting the respectable setting of the children's party with the disreputable underworld of London.

  • XXVII: Desrolles Is Not Communicative

    Desrolles is transformed by money from a shabby pauper into a confident Bohemian, contrasting with Edward Clare's settled, respectable life. The tension between artistic freedom and social propriety is evident.

  • George Gerard

    Gerard's hard, ambitious, and solitary professional life as a doctor in London stands in contrast to the comfortable, domestic respectability of the Clare household.

  • XXXI: Why Don’t You Trust Me?

    John's past life as a Bohemian artist in Paris contrasts sharply with his current life as a respectable country gentleman.

  • At the Morgue

    John's internal conflict between his former Bohemian life as Jack Chicot and his current respectable identity as master of Hazlehurst Manor.

  • XLV: The Hunt for Desrolles

    Desrolles' return to his old, disreputable Parisian haunts and his embrace of a dissolute lifestyle contrast sharply with the respectability he briefly sought.

  • Epilogue

    John Treverton's past Bohemian existence under an assumed name is discussed as a scandal that eventually fades, and Edward Clare's departure for a practical life contrasts with his former poetic idleness.