The Charwoman’s Shadow · Theme
Social Class and Prejudice
How The Charwoman’s Shadow develops Social Class and Prejudice.
The book explores class distinctions through the charwoman's lowly status and the prejudice she faces, culminating in a royal pardon that annuls her low birth and allows her to marry above her station.
Where it surfaces
- I: The Lord of the Tower Finds a Career for His Son
The father's disdain for trade and his insistence on following the Art rather than a trade reflect class-based prejudices and the desire to maintain social standing.
- XVI: The Work of Father Joseph
The relegation of Gulvarez to the stable loft while the Duke and his bowmen receive proper chambers highlights class distinctions.
- XVII: The Three Fair Fields
The gossip about Gulvarez's worthiness and the Duke's elevated status underscore class distinctions and the social pressures surrounding marriage.
- XVIII: The Love-Potion
The Duke's status as a 'serene hidalgo' and the household's groveling response to his anger illustrate class-based deference and prejudice.
- XXVII: They Dread That a Witch Has Ridden from the Country Towards Moon's Rising
Anemone fears rejection due to her low birth, while Ramon argues that Gulvarez's known meanness makes Anemone's unknown status preferable. The villagers' prejudice against Ramon's shadow persists.
- XXIX: The Casket of Silver and Oak Is Given to Señor Gulvarez
Gonsalvo's letter emphasizes the Duke's ancient lineage and the impropriety of marrying into a house not established before the Moors, reflecting class-based concerns.
- XXX: The End of the Golden Age
Ramon's father's demand for a noble bride and the Duke's intervention highlight the rigid class structures and the struggle for acceptance across social lines.