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Struggles and Triumphs · Theme

Showmanship and Humbug

How Struggles and Triumphs develops Showmanship and Humbug.

Barnum explores the ethics and art of entertainment, acknowledging his use of exaggeration and tricks (like the 'Joice Heth' exhibition) while arguing that amusement is a legitimate and necessary business that can be conducted without corrupting the public.

Where it surfaces

  • Incidents and Anecdotes

    Barnum's tin ware and green bottle lottery and the 'Russia' fur joke demonstrate his early flair for clever schemes and entertainment.

  • IV: Struggles for a Livelihood

    Barnum's love of practical jokes and the elaborate bet with Darrow illustrate his showman instincts.

  • My Start as a Showman

    Barnum details his use of publicity, contests, and staged rivalries to attract crowds, reflecting the art of showmanship.

  • My First Travelling Company

    Barnum's clever tricks (e.g., the arithmetic problem, the bridge trick) and his ability to turn adversity into entertainment highlight his showmanship.

  • At the Foot of the Ladder

    Barnum uses clever newspaper attacks to sabotage the rival company's stock, demonstrating his showmanship and strategic cunning.

  • The American Museum

    Barnum's use of exaggerated advertising, the 'brick man' stunt, and the Niagara Falls model with real water exemplify his showmanship and willingness to blur truth for publicity.

  • IX: The Road to Riches

    Barnum's use of flags, patriotic appeals, and clever ruses (e.g., the 'egress') exemplifies his showmanship and ability to attract crowds.

  • X: Another Successful Speculation

    Barnum uses fake mesmerism and rivalries to attract attention and undermine competitors.

  • XI: General Tom Thumb in England

    Barnum's strategic use of a mansion, invitations, and royal endorsement to generate buzz and elevate the General's status.

  • In France

    Barnum uses the grand retinue of twelve horses and twelve persons as a form of advertising, and employs reverse psychology by telling people to keep quiet to generate excitement.

  • XIII: In Belgium

    Barnum uses 'soft soap' and free medals to charm customs officials and railway men, demonstrating the art of pleasing the public.

  • XIV: In England Again

    Barnum buys the 'Happy Family' exhibit on impulse and hires its proprietor, demonstrating his flair for acquiring novel attractions.

  • Return to America

    Barnum outwits Anderson the 'Wizard of the North' in a playful exchange of trickery and showmanship.

  • XVI: At Home

    Barnum's playful deer park sign joke with neighbor Johnson exemplifies his love of theatrical illusion and clever marketing.

  • The Jenny Lind Enterprise

    Barnum's bold and risky enterprise to bring Jenny Lind to America exemplifies his grand showmanship and willingness to take enormous risks for public spectacle.

  • XVIII: The Nightingale in New York

    Barnum orchestrates the arrival and concert with elaborate decorations, strategic advertising, and careful crowd management, exemplifying his showmanship.

  • Successful Management

    Barnum describes his strategic use of biographies, foreign correspondence, and printer's ink to create excitement and manage public opinion before Jenny Lind's debut.

  • XX: Incidents of the Tour

    Barnum uses legerdemain tricks and a fabricated story about a pact with the devil to amuse and mystify passengers.

  • XXI: Jenny Lind

    Barnum acknowledges the 'humbuggery' involved in the Jenny Lind concerts, including the strategic use of her charitable reputation.

  • XXII: Close of the Campaign

    Barnum's April Fools' prank and the Cincinnati ruse demonstrate his flair for theatrical deception and public amusement.

  • Other Enterprises

    Barnum's elephant plowing stunt is a classic example of using spectacle and novelty to draw public attention and advertise his Museum.

  • Work and Play

    Barnum turns a captured pickpocket into a paid attraction, demonstrating his flair for showmanship and 'humbug'.

  • Rest, but Not Rust

    Barnum's interest in the 'natural honk' as a potential museum exhibit reflects his eye for curiosities and showmanship.

  • XXVIII: Abroad Again

    Albert Smith's transformation into a showman with his Mont Blanc entertainment exemplifies the art of blending information with amusement for popular success.

  • XXIX: In Germany

    Barnum's ability to draw crowds and charge high prices at German spas demonstrates his showmanship, even in a foreign setting.

  • XXX: In Holland

    Barnum reflects on manufactured curiosities like the Fiji Mermaid and Woolly Horse, and the mock trial humorously accuses him of being the 'Prince of Humbugs.'

  • The Art of Money Getting

    Barnum's clever retort to the Cambridge student and his ability to turn potential heckling into entertainment reflect his showman instincts.

  • An Enterprising Englishman

    Barnum's attempt to measure a French giant involves trickery and negotiation, highlighting the showman's craft.

  • Menagerie and Museum Memoranda

    Barnum's creation of 'California Golden Pigeons' by dyeing common pigeons, and the barber-shop practical joke, exemplify his embrace of humbug and publicity.

  • More About the Museum

    The cherry-colored cat hoax exemplifies Barnum's playful deception to attract crowds and generate publicity.

  • The American Museum in Ruins

    The Tribune's humorous account of the fire and Barnum's ability to turn disaster into opportunity reflect his showmanship.

  • XLI: Bennett and the Herald

    Barnum's strategic use of Bennett's abuse as free publicity exemplifies his showmanship and understanding of public spectacle.

  • Public Lecturing

    Barnum uses humor and showmanship in his lectures, such as the witty exchange about alcohol's effects and the offer to exhibit a man as a 'curiosity,' blending entertainment with moral messages.

  • XLIII: The New Museum

    Barnum's 'sliver trick' at the White Mountains exemplifies his playful showmanship and ability to turn a prank on his would-be tricksters.

  • XLIV: Curious Coincidences.—Number Thirteen

    Barnum treats superstitions with a blend of skepticism and amusement, using personal anecdotes to engage readers.

  • XLV: A Story-Chapter

    Barnum's anecdote about using firemen as stage extras and the chaotic fire drill interruption illustrates the blend of entertainment and real-life spontaneity.

  • Appendix I: Rest Only Found in Action

    Barnum's grand procession, elaborate chariots, and continuous addition of new attractions exemplify his mastery of showmanship.

  • Appendix II: A Remarkable Campaign

    Barnum's acquisition of the automaton talker and his boast that 10 million visitors will see it highlight his flair for sensational attractions.

  • Conclusion

    Barnum's determination to keep the show large and add rare attractions like giraffes and cannibals reflects his showmanship.