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Short Fiction · Theme

Violence and Murder

How Short Fiction develops Violence and Murder.

Violence is depicted as both a lost art and a destructive force; in the future, murder is so forgotten that Lantry can exploit society's naivety, while in the short-lived world, war and killing are driven by the desperate desire to extend life.

Where it surfaces

  • Don't Get Technatal

    Stern's nostalgia for gangland massacres and his final act of reaching for an atomic gun highlight the theme of violence as a source of narrative and meaning.

  • The Fight of the Good Ship Clarissa

    The chaotic party violence and the deadly battle on Venus highlight the theme of violence.

  • The Piper

    The Piper's music incites a violent revolution, with savage Martians overrunning Earth cities, killing, and destroying. The old man is swept away in the attack.

  • Lazarus Come Forth

    Brandon kills Logan in a violent struggle to protect the Scientist.

  • The Monster Maker

    The battle involves shooting and death, and Gunther's base is built on causing accidental deaths.

  • Morgue Ship

    The war's violence is omnipresent, and the chapter culminates in Burnett's violent self-sacrifice to stop the spies.

  • Defense Mech

    The Martian obstacle course is a deadly gauntlet; Halloway's actions, though perceived as playful, involve killing and maiming alien creatures.

  • IV

    Sim witnesses a war party and learns that enemies are made quickly; Chion threatens to kill Sim, and Dark explains the superstition that murder grants extra days.

  • VII

    The battle is brutal, with rocks hurled, men killed, and Sim wounded by Chion.

  • The Test of the Sun

    The contest involves deliberate stone-throwing intended to injure or kill, highlighting the brutal violence of the struggle.

  • Rocket Summer

    The threat of violence from the mob and the potential for war are central to Stanley's fears.

  • Asleep in Armageddon

    The internal war between Iorr and Tylle manifests as self-inflicted gunshot and eventual death.

  • I

    Lantry kills a passerby to steal his clothes, demonstrating his willingness to use violence to survive and wage war.

  • II

    Lantry commits the first murder in three hundred years, shocking the attendant with the illogical act.

  • III

    Lantry's deliberate sabotage and murder of the Control Man, and his plan to reintroduce murder into a society that has eliminated it, central to the chapter.

  • IV

    Lantry's plan to kill thousands and destroy Incinerators drives the chapter, culminating in the explosion that kills hundreds and his subsequent visit to the morgue.

  • V

    Lantry's internal plans for destruction and the final act of cremation highlight themes of violence and murder.