Memory and Nostalgia

Where it surfaces

• The Last Heir of Castle Connor

  The chapter is steeped in nostalgia for the lost grandeur of Castle Connor and the O'Connor family, with Purcell recalling past joys and the mother cherishing memories of her son.

• Strange Event in the Life of Schalken the Painter

  The painting serves as a faithful record of Schalken's memory of Rose and the traumatic event, preserving his lost love.

• Scraps of Hibernian Ballads

  The narrator laments the loss of oral poetry and the fading reputation of Michael Finley, and the opening poem mourns a lost love.

• The Fatal Bride

  The narrator's melancholic retrospection on past loves and adventures, framed as an old man's reminiscences.

• Ghost Stories of Chapelizod

  The description of Chapelizod's former grandeur and its current decay evokes a melancholic nostalgia for a lost era.

• Some Gossip About Chapelizod

  The narrative mourns the decay of Chapelizod and the loss of the Royal Irish Artillery, evoking a sense of longing for a bygone era of community and tradition.

• I: The Jacobite’s Legacy

  The narrator recalls Irish family traditions from youth, emphasizing the oral transmission of supernatural tales and the loss of the old ways.

• III: The Priest’s Adventures in the Glen

  The family's isolation and the father's lingering attachment to the castle reflect a nostalgic clinging to the past and deferred hopes.

• VI: Voices

  Alice recalls Una's former merriment and songs, contrasting the past happiness with the present estrangement.

• An Authentic Narrative of a Haunted House

  The friend's recollection of the house as a lonely spot fifty years ago contrasts with its modern appearance, hinting at a hidden past.

• II: My Aunt Margaret on the Road

  The journey evokes a sense of past travel experiences and the contrast between expectation and reality, as Aunt Margaret's memory of the distance clashes with the actual length of the trip.

• III: The Moon Rises

  The journey evokes a sense of a fading, familiar world as the travelers lose their way.

• IV: Perturbation

  The sense of being lost and disoriented contrasts with the comfort of familiar roads and destinations, highlighting a longing for safe, known places.

• X: How It All Happened

  Aunt Margaret's retelling of the 'winter's tale' years later emphasizes the nostalgic recollection of past adventures and the fading world of old inns.

• IV: Four Eyes Were Reading the Passage

  The narrator's recollection of his previous acquaintance with Swedenborg and his book on Metaphysical Medicine suggests a reflective, nostalgic tone.

• V: Doctor Hesselius Is Summoned to Richmond

  The melancholic twilight setting and Mr. Jennings' retreat to his own house evoke a sense of haunting memory and inescapable past.

• Stories of Lough Guir

  The narrator fondly recalls his youthful visits to the Baily sisters, the relics in their drawing-room, and the bygone days of hospitality and storytelling.

• I: An Early Fright

  The chapter is framed as a vivid childhood memory, with the narrator reflecting on the lasting impression of the event.

• V: A Wonderful Likeness

  Laura's recollection of the night Carmilla arrived and the restoration of old family portraits evoke a longing for the past.

• Conclusion

  The narrator's ambiguous memories of Carmilla, alternating between beauty and horror, persist long after the events.

• Dickon the Devil

  The narrator recalls hearing the story of Barwyke in his boyhood, and the landscape evokes a sense of melancholy and forgotten past.

• Endnotes

  The editor reflects on preserving old manuscripts and traditions before skepticism erodes them.