Point Counter Point · Character

Everard Webley

A magnetic fascist orator whose disciplined public power and private pursuit of Lucy make him the most dangerous kind of rival in the novel's London.

supporting

Also known as Webley, Everard, Mr. Everard Webley

First appearance: vi

As a supporting figure in Point Counter Point, Everard Webley is not background color—the story leans on what they do once the chapter opens.

Briefly appears, described as busy and touchy, with Lady Edward mocking his political vanity.

In the storyChapter IVOpen this moment free

See Everard Webley in Chapter IV Book page

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Webley commands the Brotherhood of British Freemen, a paramilitary movement whose leader is described by Rampion's circle as a man who preaches that 'man is a fighting animal' while the world grows tamer. He is drawn to Lucy Tantamount with a proprietary intensity that puts him at odds with Walter Bidlake, and his blend of physical charisma and ideological certainty makes him both attractive and alarming. His presence forces the novel's bohemians to confront a political will they can mock but not easily dismiss.

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The fuller portrait of Everard Webley sits in Reading Lens — open the free preview to keep reading with notes on the page.

See Everard Webley in vi

Character Web

23 connections

A slice of how Everard Webley sits in the book — open the reader for the full interactive map.

Relationship types

Romantic
Other

Character groups

Political and social rivals
Central characters and lovers
Protagonist

+18 more in the full Character Web

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Narrative arc

Story tension across the book — this chapter sits in Exposition.

Setup
Escalation
Breaking point
Aftermath
Closing

In this excerpt, the narrative climax occurs as the psychological and emotional peak of Sidney Quarles’s hypoc…

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Relationships

Elinor Quarles
romantic · ambivalent
Elinor is drawn to Everard's forceful, charismatic masculinity, creating a tense romantic… How this plays out →
Elinor Quarles
romantic · ambivalent
Elinor is drawn to Everard's forceful, charismatic masculinity, creating a tense romantic… How this plays out →
Elinor Quarles
romantic · ambivalent
Elinor is drawn to Everard's forceful, charismatic masculinity, creating a tense romantic… How this plays out →

Elinor Quarles
Elinor is drawn to Everard's forceful, charismatic masculinity, creating a tense romantic attraction that threatens her marriage.
Elinor Quarles
Elinor is drawn to Everard's forceful, charismatic masculinity, creating a tense romantic attraction that threatens her marriage.
Elinor Quarles
Elinor is drawn to Everard's forceful, charismatic masculinity, creating a tense romantic attraction that threatens her marriage.

Relationship notes

How these ties play out is in the reading companion — open the free preview.

See Everard Webley in vi

In the story

Everard Webley appears across 10 companion beats. Open any chapter in the free preview to see the notes beside the text.

Chapter IV
Briefly appears, described as busy and touchy, with Lady Edward mocking his political vanity.
XXI
Referenced by Elinor as the object of her admiration, described as passionate and violent.
XXIII
Writes a letter to Elinor from Sheffield, expressing his obsessive love and frustration; rebukes Hugo Brockle for being late, using anger as a calculated tool.
XXVIII
Attempts to kiss Elinor but is rejected; expresses hurt and anger at her revulsion.
XXIX
Drives Elinor to the country, displays his love of power and beauty, and is analyzed by Philip as a stage manager.
XXXII
Drives through London, filled with confidence and happiness, convinced Elinor will accept him; arrives at her door to find no answer.
XXXIII
Murdered by Spandrell and Illidge; his body is trussed, carried, and later trampled by Spandrell.
XXXV
Mentioned as having been murdered; his body discovered in his motor car.
XXXVI
Murdered; his funeral draws a massive procession; his death is exploited politically.
XXXVII
Mentioned as the victim of murder; Spandrell confesses to killing him.

Chapter companion notes

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See Everard Webley in vi

See Everard Webley in Chapter IV