Poetry · Chapters
Chapters explained
Chapter companions for Poetry by James Joyce.
Each chapter has a companion in the reader — open a free preview to see notes beside the text.
Chapter 1
Chamber Music
A lyrical exploration of love, longing, and the transient beauty of romantic encounters, set against a backdrop of nature and mood.
Chapter 2
I: Strings in the Earth and Air
The chapter opens with a lyrical description of music arising from nature—strings in the earth and air, and by the river where willows meet. Love is personified as a wandering figure, adorned with pale flowers and dark leaves, softly playing an instrument, blending the natural world with romantic longing.
Chapter 3
II: The Twilight Turns from Amethyst
The chapter depicts the transition of twilight from amethyst to deeper blue, as a lamp glows pale green and an old piano plays a sedate, slow, and gay air. A woman bends over the yellow keys, her head inclining, with shy thought, grave wide eyes, and wandering hands, as the twilight darkens with amethyst lights.
Chapter 4
At That Hour When All Things Have Repose
The narrator addresses a lonely watcher of the skies, asking if they hear the night wind and harps playing to Love at the hour of repose. The harps play to open the pale gates of sunrise, and the night wind answers in antiphon until night ends. The narrator calls on the invisible harps to continue playing to Love, whose path in heaven glows as soft lights and music fill the air and earth.
Chapter 5
IV: When the Shy Star Goes Forth in Heaven
The narrator describes a shy star appearing in heaven and a lover singing at the beloved's gate in the evening, urging her not to muse in revery but to recognize him as her visitant through his song.
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47 more companions → free preview- Chapter 6V: Lean Out of the Window
- Chapter 7VI: I Would in That Sweet Bosom Be
- Chapter 8VII: My Love Is in a Light Attire
- Chapter 9Who Goes Amid the Green Wood
- Chapter 10IX: Winds of May, That Dance on the Sea
- Chapter 11X: Bright Cap and Streamers
- Chapter 12XI: Bid Adieu, Adieu, Adieu
- Chapter 13XII: What Counsel Has the Hooded Moon
- Chapter 14XIII: Go Seek Her Out All Courteously
- Chapter 15XIV: My Dove, My Beautiful One
- Chapter 16XV: From Dewy Dreams, My Soul, Arise
- Chapter 17XVI: O Cool Is the Valley Now
- Chapter 18XVII: Because Your Voice Was at My Side
- Chapter 19XVIII: O Sweetheart, Hear You
- Chapter 20XIX: Be Not Sad Because All Men
- Chapter 21XX: In the Dark Pine-Wood
- Chapter 22He Who Hath Glory Lost, nor Hath
- Chapter 23XXII: Of That So Sweet Imprisonment
- Chapter 24XXIII: This Heart That Flutters Near My Heart
- Chapter 25XXIV: Silently She’s Combing
- Chapter 26XXV: Lightly Come or Lightly Go
- Chapter 27XXVI: Thou Leanest to the Shell of Night
- Chapter 28XXVII: Though I Thy Mithridates Were
- Chapter 29XXVIII: Gentle Lady, Do Not Sing
- Chapter 30XXIX: Dear Heart, Why Will You Use Me So?
- Chapter 31XXX: Love Came to Us in Time Gone By
- Chapter 32XXXI: O, It Was Out by Donnycarney
- Chapter 33XXXII: Rain Has Fallen All the Day
- Chapter 34XXXIII: Now, O Now, in This Brown Land
- Chapter 35Sleep Now, O Sleep Now
- Chapter 36All Day I Hear the Noise of Waters
- Chapter 37XXXVI: I Hear an Army Charging Upon the Land
- Chapter 38Gas from a Burner
- Chapter 39Pomes Penyeach
- Chapter 40Tilly
- Chapter 41Watching the Needleboats at San Sabba
- Chapter 42A Flower Given to My Daughter
- Chapter 43She Weeps Over Rahoon
- Chapter 44Tutto è Sciolto
- Chapter 45On the Beach at Fontana
- Chapter 46Simples
- Chapter 47Flood
- Chapter 48Nightpiece
- Chapter 49Alone
- Chapter 50A Memory of the Players in a Mirror at Midnight
- Chapter 51Bahnhofstrasse
- Chapter 52A Prayer