I
Discussed by Shubin as a wonderful and strange creature; her bust is proving difficult to sculpt due to her changing expressions.
II
Mentioned as being in the garden, she rises from a bench as the group arrives.
III
Mentioned as the daughter whose birth ruined Anna's health; she is briefly noted as having been handed over to a governess.
IV
Engages deeply with Bersenyev's philosophical and career discussions, showing intellectual curiosity and a growing emotional openness.
V
Mentioned as the object of Shubin's love and the one he believes loves Bersenyev.
VI
Elena is the focal point of the chapter, reflecting on her past, her solitary nature, and her emotional struggles.
IX
Meets Shubin in the garden, is distant and absorbed in thought, tells Shubin she could not love an artist.
X
Elena listens intently to Bersenyev's account of Insarov and expresses deep interest in his cause and character.
XII
Elena meets Insarov for the first time; she feels annoyed with Shubin's mockery and is puzzled that Insarov does not match her heroic expectations.
XIII
Grows increasingly attracted to Insarov; feels frustrated by her inability to speak with him alone; receives news of his disappearance and return.
XIV
Initiates a candid conversation with Insarov, expressing her curiosity and concern about his past, and feels both shame and audacity at her own questions.
XV
Elena is preoccupied with Insarov, exchanging words with him and ignoring Bersenyev; she presses Insarov's hand at parting.
XVI
Elena writes in her diary, expressing her emotional struggles, her sense of isolation, and her deepening feelings for Insarov.
XVII
Desperately tries to arrange a private meeting with Insarov before his departure; spends a sleepless night in anguish and ultimately decides to go to Bersenyev's when Insarov does not appear.
XVIII
Defies convention and weather to seek Insarov; confesses her love and vows to follow him anywhere.
XIX
Returns home after her secret marriage, experiencing a mix of joy, weariness, and anxiety about hiding her secret from her family and friends.
XXI
Experiences emotional turmoil after her declaration of love; feels alienated from her family and home.
XXII
Describes Kurnatovsky in a letter to Insarov, analyzing his character and contrasting him with Insarov; feels conflicted about her father's plans.
XXIII
Visits Insarov secretly, declares her love, and proposes they flee together to Bulgaria.
XXIV
Behaves with deliberate calm and gaiety to conceal her secret love for Insarov; communicates with him through subtle gestures.
XXV
Elena arrives at Insarov's bedside, distraught and determined to stay. She extracts a promise from Bersenyev to summon her at any sign of danger, and declares she will die if Insarov dies.
XXVI
Anxiously awaits news, nearly falls ill herself, prays and weeps with relief when Insarov recovers.
XXVII
Plans a secret visit to Insarov; asks Bersenyev not to visit the next day and sends a note to Insarov.
XXVIII
Visits Insarov, expresses her love, and plans their future together.
XXIX
Mentioned as unpredictable; a servant reports seeing her enter a house near Povarsky where a student lives.
Chapter XXXIII
Confesses her secret marriage to Insarov to her parents, remains steadfast despite her father's rage.
XXXI
Visits her mother secretly when her father is out; feels deep pity and remorse, but remains resolute in her love for Insarov.
XXXII
Elena is anxious and impatient for departure, distressed by Insarov's illness, and deeply emotional during the farewell with her parents and friends.
XXXIII
Elena is more thoughtful and severe, with a hidden constant anxiety. She experiences deep emotional turmoil during the opera and later contemplates mortality and guilt.
Chapter XXXIV
Tends to Insarov, has a strange dream, and witnesses his death.
Chapter XXXV
Grief-stricken after Insarov's death, she arranges to transport his body to Zara and writes a farewell letter to her parents, vowing to serve his cause.
