Epigraph
Implied as the narrator reflecting on the walk, though not explicitly named.
The Library
The narrator and protagonist, recently returned from Oxford to manage his estate.
The Mirror
The protagonist who follows a shadowy figure and discovers the mirror, ultimately stepping into another world.
III: The Raven
Vane is bewildered and fearful after crossing into an unfamiliar world; he questions his own sanity and identity.
Somewhere or Nowhere?
Reluctantly follows the raven into the garden and finds himself in a strange forest, questioning his free will and individuality.
V: The Old Church
Follows the raven into the forest and learns about the nature of prayer and living thoughts.
The Sexton's Cottage
Arrives at the sexton's cottage weary and confused; accepts bread and wine, then agrees to trust the raven and Mrs. Raven.
The Cemetery
Vane is led through the cemetery of the dead, shown his designated couch, but refuses to stay, fleeing in terror back to his library.
My Father's Manuscript
The narrator, who is visited by Mr. Raven and shown a mirror that opens into another world.
IX: I Repent
Repents of his flight, returns to the other world, and seeks Mr. Raven to apologize and learn about his father.
X: The Bad Burrow
Vane journeys through a perilous landscape, guided by a mysterious light and protected by the moon from grotesque creatures.
XI: The Evil Wood
The protagonist who journeys through the barren riverbed and the evil wood, witnessing a ghostly battle and yearning for human presence.
Friends and Foes
Vane explores the channels and hollow, eats a small apple, is welcomed by children, then captured and enslaved by brutish giants.
XIII: The Little Ones
Vane is freed by the Little Ones, cared for, and learns about their society and fears.
A Crisis
Decides to leave the Little Ones to seek knowledge, is attacked by a bad giant, and departs on a solitary journey.
XV: A Strange Hostess
Travels through the desert, accepts Mara's hospitality, and learns about the Little Ones and the way to Bulika.
XVI: A Gruesome Dance
Narrator and protagonist; journeys through desert and forest, reflects on solitude and selfhood, witnesses the gruesome dance of skeletal figures.
A Grotesque Tragedy
Narrator who observes the skeletal couple and converses with Mr. Raven.
XVIII: Dead or Alive?
Discovers the dying woman, attempts to revive her, and spends the night holding her to share warmth.
XIX: The White Leech
Vane is bitten repeatedly by a white leech, cares for the unconscious woman, and is ultimately struck down by her after she awakens.
XX: Gone!—But How?
Vane pursues Lilith desperately, pleading for her pity, and is drained by her embrace before witnessing her transformation into a beast.
XXI: The Fugitive Mother
Encountering the fugitive mother and the wounded leopardess; offers help and learns about the princess's cruelty.
XXII: Bulika
Vane arrives at Bulika, observes its hostile inhabitants, and resolves to investigate the woman he revived and protect the Little Ones.
A Woman of Bulika
Offers protection to a woman fleeing a leopardess, learns about Bulika's customs, and is left stranded on a landing.
XXIV: The White Leopardess
Vane confronts the white leopardess, struggles with her over a newborn, and later allows her to warm him in his sleep, gaining a new hope to find the princess.
XXV: The Princess
Explores the castle, confronts the princess, and doubts her sincerity.
XXVI: A Battle Royal
Narrator who falls asleep, is fed upon by the princess, and witnesses the battle.
The Silent Fountain
Follows the leopardess, witnesses the princess's vision, and climbs the tree despite warnings, ending up submerged and sinking.
XXVIII: I Am Silenced
Awakens in the fountain, dripping and confused; defends his past actions with the Little Ones but is rebuked by the raven for his passivity and misplaced priorities.
XXIX: The Persian Cat
Vane is present as a witness to the confrontation, feeling shame for his earlier failures with the Little Ones.
Adam Explains
Eager to protect the Little Ones but is instructed to sleep first; struggles to understand the nature of the mirror and the closet.
XXXI: The Sexton’s Old Horse
Vane is torn between his promise to Mr. Raven and his urgent desire to rescue the Little Ones, ultimately giving in to the temptation of the horse and riding into disaster.
Lona's Narrative
Listens to Lona's narrative and reflects on his love for her.
Preparation
Leads the preparations, drills the Little Ones, makes a feather mantle for Lona, and gives a rousing speech about finding their mothers.
The Little Ones in Bulika
Leads the army but feels unworthy, admitting his own lack of obedience and trust.
Mother and Daughter
Vane persuades Lona to confront Lilith, witnesses Lona's death, carries her body, and grieves.
The Shadow
Vane carries Lona's body, learns of the shadow's attack from Odu, and takes command of the camp, appointing guards and keeping watch.
To the House of Bitterness
Carries Lona's body and escorts the bound Lilith; defends the lady of the House of Bitterness to the Little Ones; subdues Lilith after a nocturnal attack.
That Night
Vane is a witness to Lilith's ordeal, observing the spiritual battle and Mara's ministrations.
XL: The House of Death
Observes the events, holds Lona, and prepares to depart with the children.
I Am Sent
Vane is sent on a solitary mission to bury Lilith's hand; he resists temptations and completes the task.
XLII: I Sleep the Sleep
Returns to the house of death, experiences desolation, and is prepared for sleep by Adam, Eve, and Mara.
The Dreams That Came
Despairs after fleeing the dream, attempts to return through the mirror, and receives guidance from Adam before beginning a pilgrimage.
The Waking
Awakens from death-sleep, reunited with Lona, and learns he has died into eternal life.
The Journey Home
Narrates the journey home, experiencing a profound unity with all life and perceiving the indwelling ideas of every growing thing.
XLVI: The City
Narrates the journey; climbs the mountain and enters the city; ultimately returns to his library.
XLVII: The 'Endless Ending'
Narrates his ongoing wait for Lona and his philosophical reflections on dreams and reality.
