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Chapter companions for Heretics by G. K. Chesterton.

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  1. Chapter 1

    Dedication

    A brief dedication of the book to the author's father.

  2. Chapter 2

    Heretics

    In this opening chapter, Chesterton introduces his critique of modern thought by arguing that the age of skepticism and open-mindedness has led to a form of intellectual cowardice. He contends that the modern world, in its rejection of dogma and orthodoxy, has become a breeding ground for heresies that lack the courage of conviction. Chesterton calls for a return to clear, dogmatic beliefs as a foundation for true intellectual and moral life.

  3. Chapter 3

    I: Introductory Remarks on the Importance of Orthodoxy

    Chesterton argues that modern society has inverted the meanings of 'orthodox' and 'heretic,' treating heresy as a mark of courage and orthodoxy as a sign of error. He contends that people no longer care about philosophical truth, dismissing general theories as unimportant. He critiques this attitude as impractical, asserting that a person's view of the universe is the most practical and important thing about them. He calls for a return to fundamental doctrines and a serious examination of the philosophies of his contemporaries.

  4. Chapter 4

    II: On the Negative Spirit

    Chesterton contrasts the 'monkish morbidity' of visionary religion with the 'incurable morbidity of modern ethics,' arguing that the former at least contemplates an ideal of perfect health and happiness, while the latter fixates on disease and evil. He critiques modern literature, particularly Ibsen, for lacking a positive ideal of good, and extends this critique to modern concepts like liberty, progress, and education, which he sees as dodges to avoid defining what is good. He also references Mr. Bernard Shaw's 'Quintessence of Ibsenism' and Mr. H. G. Wells's 'Mankind in the Making' as examples of this negative spirit.

  5. Chapter 5

    III: On Mr. Rudyard Kipling and Making the World Small

    Chesterton defends the idea that all subjects are inherently interesting, arguing that the bore is more poetical and godlike than the bored. He critiques Mr. Rudyard Kipling for lacking true patriotism, seeing him as a cosmopolitan who admires discipline and efficiency over love of country. Chesterton contrasts the globetrotter's superficial knowledge with the rooted peasant's deep connection to place, asserting that true belonging makes a place vanish into the universe.

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  1. Chapter 6Mr. Bernard Shaw
  2. Chapter 7Mr. H. G. Wells and the Giants
  3. Chapter 8Christmas and the Aesthetes
  4. Chapter 9VII: Omar and the Sacred Vine
  5. Chapter 10VIII: The Mildness of the Yellow Press
  6. Chapter 11IX: The Moods of Mr. George Moore
  7. Chapter 12X: On Sandals and Simplicity
  8. Chapter 13XI: Science and the Savages
  9. Chapter 14XII: Paganism and Mr. Lowes Dickinson
  10. Chapter 15XIII: Celts and Celtophiles
  11. Chapter 16XIV: On Certain Modern Writers and the Institution of the Family
  12. Chapter 17XV: On Smart Novelists and the Smart Set
  13. Chapter 18XVI: On Mr. McCabe and a Divine Frivolity
  14. Chapter 19XVII: On the Wit of Whistler
  15. Chapter 20XVIII: The Fallacy of the Young Nation
  16. Chapter 21Slum Novelists and the Slums
  17. Chapter 22Concluding Remarks on the Importance of Orthodoxy