Showing How Wrath Began
Struggles with pride and jealousy over Colonel Osborne's visits; considers apologizing to his wife but cannot bring himself to do so.
Lady Milborough’s Dinner Party
Broods over his jealousy of Colonel Osborne during the carriage ride; is cross and vexed; later confronts Emily angrily, demanding she promise not to see Osborne again.
IV: Hugh Stanbury
Troubled by his marital quarrel; meets Stanbury in the street but decides not to confide in him; goes to consult his lawyer.
Showing How the Quarrel Progressed
Finds Colonel Osborne's letter to Emily, becomes increasingly possessive and resentful, recites his grievances, and resolves to assert his mastery.
Showing How Reconciliation Was Made
Seeks reconciliation but feels weak and disgraced by his own vacillation; his love for Emily is impaired.
IX: Showing How the Quarrel Progressed Again
Leaves the house in a huff after finding Emily closeted with Colonel Osborne. Later, he rejects Stanbury's interference and resolves to confront his wife the next morning.
Hard Words
Discovers Emily's letter to Osborne, confronts her, and issues ultimatums, ultimately threatening separation.
Lady Milborough as Ambassador
Insists on his right to general submission; writes a letter to Emily and sends Lady Milborough as ambassador, but his efforts are counterproductive.
The Honourable Mr. Glascock
Driven to despair by his wife's continued correspondence with Colonel Osborne; consults Lady Milborough but rejects her suggestions.
The Clock House at Nuncombe Putney
Decides to live apart from his wife, arranges for her maintenance through Hugh Stanbury and Mr. Bideawhile, and moves into lodgings.
Showing How Colonel Osborne Went to Cockchaffington
Mentioned as having broken up his household and sent Emily away; his jealousy is the cause of the situation.
Colonel Osborne and Mr. Bozzle Return to London
Receives Bozzle's report, pays his bill, and feels degraded and despairing about his actions.
Niddon Park
Mentioned as having sent Hugh to learn the truth about Colonel Osborne's visit; his suspicions and oath are discussed.
A Third Party Is So Objectionable
Consumed by jealousy, believes Bozzle's report and plans to separate from Emily.
Mr. Trevelyan's Letter to His Wife
Sits alone for hours, contemplating his misery and justifying his actions. He writes a stern letter to his wife, threatening to take their son if she continues contact with Colonel Osborne.
Great Tribulation
Referenced as the author of the accusatory letter; his actions drive the chapter's conflict, though he does not appear directly.
Mr. and Mrs. Outhouse
Visits the Outhouse parsonage, insists he makes no charge against his wife but refuses to have her back, and offers to pay expenses.
XXXII: The “Full Moon” at St. Diddulph’s
Feels isolated and defiant, rejects Stanbury's advice for reconciliation, and plans to leave for Paris with only Bozzle as confidant.
Hugh Stanbury Smokes Another Pipe
Has fled to Italy, leaving only Bozzle with his address; feels isolated and betrayed by everyone except Bozzle; continues to employ Bozzle to watch his wife.
Verdict of the Jury—'Mad, My Lord'
Alone in Turin, consumed by jealousy and paranoia; he relies on Bozzle and begins to hope for evidence of his wife's guilt, showing signs of madness.
Trevelyan at Venice
In Venice, consumed by jealousy and paranoia, he reads Bozzle's letters and writes threatening letters to Mr. Outhouse and others.
Mr. Outhouse Complains That It’s Hard
Not physically present, but his written authority drives the conflict; is described as 'mad' by Outhouse; intends to return to England to enforce his claim.
Mr. Bozzle at Home
Now friendless and desperate, Trevelyan relies solely on Bozzle. He is haggard, ill-dressed, and aware of his own degradation, having taken to drinking brandy in the morning.
Another Struggle
Arrives at the parsonage, seeking to see his wife; his presence causes consternation.
LXI: Parker’s Hotel, Mowbray Street
Orchestrates the kidnapping of his son from the cab, using a decoy hotel and a disguised accomplice.
Lady Rowley Makes an Attempt
Meets with Lady Rowley, insisting on Emily's complete submission and penitence. He appears thin, pale, haggard, and pompous, showing a changed character. After the meeting, he tells Bozzle he will make no further attempts at reconciliation.
Sir Marmaduke at Home
Referenced as the father who kidnapped the child and communicates through detective Bozzle.
Sir Marmaduke at His Club
Referenced as the jealous husband who has taken Emily's child and is considered mad by Colonel Osborne.
River's Cottage
Living at River's Cottage with his son; appears haggard, paranoid, and physically deteriorated; refuses to let Emily take the child and demands she admit to a sin.
Sir Marmaduke at Willesden
Confronted by Sir Marmaduke; appears physically and mentally broken, with sunken cheeks, glowing eyes, and nervous twitching; refuses to answer charges but insists on his love for Emily and his son; plans to escape to America.
The Rowleys Go Over the Alps
Has fled to Italy with his son, leaving a note for his wife and arranging for her income.
We Shall Be So Poor
Louis Trevelyan is reported to have gone to Siena with his son, and Sir Marmaduke is attempting to locate him.
I Can Sleep on the Boards
Haggard and paranoid; allows Emily to see Louey but insists on a confession of fault; refuses to let her stay.
Self-Sacrifice
Sits in silent reflection, acknowledging his own madness and the curse upon him; decides to send Louey back to Emily and sacrifice himself.
The Baths of Lucca
Living in seclusion near Siena; his letter to Mr. Glascock prompts a possible journey.
Mr. Glascock as Nurse
Shows clear signs of mental instability, paranoia, and bitterness, but ultimately allows his son to leave with Mr. Glascock.
Mr. Glascock's Marriage Completed
Mentioned as likely to end up in an asylum or grave due to his condition.
Four O'Clock in the Morning
Reported to be withering away, with hollow eyes and frail limbs; refuses medical help and insists Emily return to England.
XCII: Trevelyan Discourses on Life
Found at Casalunga in a disheveled state, wearing a bright dressing-gown and cap; speaks cynically about life and idleness; his reason appears affected.
XCIII: “Say That You Forgive Me”
Paranoid and physically declining; fears being placed in a madhouse, accuses his wife and Sir Marmaduke, and resists leaving Casalunga.
XCIV: A Real Christian
Emily's husband; his illness and the preparations for his return are mentioned; Lady Milborough reflects on his earlier refusal to go to Naples.
Trevelyan Back in England
Very weak physically and mentally; shows signs of suspicion and monomania; barely speaks.
Monkhams
In declining health; maintains his belief that he was wronged; refuses to say a kind goodbye to Nora.
XCVIII: Acquitted
Dying and bedridden, he continues to allude to past wrongs but ultimately kisses Emily's hand in a gesture of acquittal before his death.
Conclusion
Dies as a maniac, but makes reparation to Emily with a touch of his lips before death.
