
Hay Fever
Free public-domain edition — preview in your browser, no account required for the first chapter.
Preview free · sign up to save progress, download to your shelf, and sync with the apps
Already have an account? Sign in
Read Hay Fever for a razor-sharp, hilarious satire of artistic pretension and social etiquette that remains brilliantly relevant today.
Edition details
Book Summary
Noël Coward's Hay Fever follows the eccentric Bliss family as they host a weekend of unsuspecting guests at their country home, turning social conventions into theatrical chaos. The family's artistic temperament and constant role-playing leave their visitors bewildered, leading to romantic confusion and a desperate retreat by Sunday morning.
The play opens with the Bliss family—actress Judith, novelist David, and their adult children Sorel and Simon—each inviting a guest to their country house without consulting the others. Sorel brings Richard Greatham, Judith invites Sandy Tyrell, Simon invites Jackie Coryton, and Myra Arundel arrives uninvited. The family's witty but cruel banter immediately unsettles the guests. In Act II, Myra launches a scathing attack on the Blisses' artificiality, triggering a chaotic argument that is only halted when Richard enters. Judith, ever the performer, pretends the outburst is part of a dramatic game, forcing the guests to participate in absurd parlor games that expose the family's dysfunction. By Sunday morning, the guests are desperate to escape. Sandy and Jackie hide from the family, discussing their unwanted engagements and the madness of the Blisses. Meanwhile, the Blisses argue over David's novel, oblivious to their guests' misery. The guests eventually slip away, but the Blisses barely notice, already planning their next theatrical distraction. The play satirizes the clash between bohemian artistic life and conventional society, highlighting the Blisses' self-absorption and the superficiality of romantic attachments formed in haste.
Reading guide
Go deeper in Hay Fever
Character guides, themes, chapter companions — plus Character Web, narrative arc, and theme heatmap teasers that unlock fully beside the text in BetterReads.
Narrative arc
Story tension across the book.
- Setup
- Breaking point
This is the dramatic climax because it marks the emotional and psychological breaking point for Jackie, who op…
Full beat labels and climax notes unlock in the reader.
Follow the arc while readingJudith Bliss
Judith runs the household as a stage, learning flower names by heart and tapping the barometer when a plan is brewing. Her children distrust her 'Squire's lady' moods, and her husband is too buried in his novel to notice. She is the engine of the weekend's chaos: every guest is potential audience, every game a chance to perform, and her need for drama will collide with everyone else's private schemes.
David Bliss
David presides over a house strewn with his son's cartoons and his wife's theatrics, but his real address is the library and whatever book he is writing. He surfaces mainly to complain that everybody talks too much, then drifts back to work while Judith schemes and the children bicker. His obliviousness is both comic and structural: the one person who might referee the weekend is permanently elsewhere, leaving the guests to the Bliss family's mercy.
Sorel Bliss
Sorel lounges on the sofa mocking a friend's florid poetry while privately wishing she were a normal, bouncing English girl with a passion for games. She has invited Richard Greatham down without telling her brother, and she knows exactly what her mother's barometer-tapping forebodes. Sharp where Simon is dreamy, she becomes the household's reluctant truth-teller as the weekend's romantic cross-purposes multiply.
Simon Bliss
Simon sprawls in a dirty tennis shirt amid his cartoons and sheet music, cheerfully ignorant of the diplomat his sister has invited and mildly annoyed she didn't say so. He is flirtatious, distractible, and entirely at home in a house where nobody behaves normally. His casual magnetism draws the weekend's female guests toward him, quietly setting up the romantic collisions that will detonate around the dinner table.
Myra Arundel
Myra submits to Judith's party games with acid asides about the hostess's professional advantages, then refuses to continue when the spotlight shifts. She is charming, calculating, and unimpressed by Bliss theatrics, which makes her both a rival to Judith and a hazard to everyone else. Her pursuit of Simon and her cool sparring with the family keep the weekend's emotional weather unstable from the moment she arrives.
Richard Greatham
Richard arrives as Sorel's guest, a well-known diplomatist expected to be impressed by the Blisses and to impress them in turn. Instead he is drafted into Judith's parlour games, mishears the word, and gets scolded for doing the wrong charade. His stiff, courteous bewilderment is the audience's way in: the more properly he behaves, the more the Bliss household exposes its beautiful, alarming strangeness.
Artistic Temperament vs. Conventionality
The Bliss family embodies a theatrical, bohemian lifestyle that clashes with the conventional expectations of their guests, highlighting the tension between creative self-expression and social norms.
Performance and Identity
Characters constantly perform roles—Judith as the aging actress, the children as artistic rebels—blurring the line between genuine self and theatrical persona, especially in social games and flirtations.
Family Dynamics and Rivalry
The Blisses engage in competitive, often cruel banter and manipulation, revealing deep-seated rivalries and a lack of genuine emotional connection beneath their witty surface.
Social Manners and Rudeness
The play satirizes upper-class social etiquette, as the Blisses' deliberate rudeness and neglect of their guests expose the absurdity of polite conventions and the discomfort they cause.