Gil Blas · Character
Don Bertrand Gómez del Ribero
A nobleman who becomes a patron of Gil Blas.
minor
Also known as Don Bertrand, Señor Don Bertrand Gómez del Ribero
First appearance: viii
Don Bertrand Gómez del Ribero shows up with force in Gil Blas meets with the poet Núñez by accident, and learns that he has written a tragedy, which is on the point of being brought out at the theatre royal—The ill fortune of the piece, and the good fortune of its author.. The page is where that presence becomes real.
Treasurer of the king's galleys, patron of Núñez, who claims authorship of the tragedy and rewards Núñez with an annuity despite the play's failure.
Don Bertrand Gómez del Ribero first appears in 0102 viii.
In Gil Blas meets with the poet Núñez by accident, and learns that he has written a tragedy, which is on the point of being brought out at the theatre royal—The ill fortune of the piece, and the good fortune of its author.: Treasurer of the king's galleys, patron of Núñez, who claims authorship of the tragedy and rewards Núñez with an annuity despite the play's failure.
Later, in XIV: Mentioned as Núñez's former treasurer and patron; Núñez now lives apart from him with his consent.
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Character Web
5 connectionsA slice of how Don Bertrand Gómez del Ribero sits in the book — open the reader for the full interactive map.
Relationship types
- Other
Character groups
- Benefactors and Schemers
- Protagonist
- Romantic and Domestic Intrigue
- Merchants and Innkeepers
- Patrons and Companions
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Open in readerNarrative arc
Story tension across the book — this chapter sits in Falling action.
- Setup
- Escalation
- Breaking point
- Aftermath
- Closing
In this excerpt, the emotional and psychological peak occurs when Gil Blas, through the fable of Atalmuc, indi…
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Don Bertrand Gómez del Ribero appears across 3 companion beats. Open any chapter in the free preview to see the notes beside the text.
- Gil Blas meets with the poet Núñez by accident, and learns that he has written a tragedy, which is on the point of being brought out at the theatre royal—The ill fortune of the piece, and the good fortune of its author.
- XIV
- VII
Chapter companion notes
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See Don Bertrand Gómez del Ribero in viii