Bendix Grünlich

I

Makes his first appearance; uses calculated flattery and pious references to ingratiate himself with the Buddenbrook parents, particularly praising Tony's hair.

II

His formal proposal arrives by letter. He is described through Tony's memory as having 'gold-yellow whiskers' and a 'woolly suit,' and is assessed by her parents as a well-bred, estimable Christian gentleman.

III

Returns to Lübeck, convinced the Consul's letter is hopeful. Stages a desperate, theatrical proposal, kneeling and declaring he will die of grief if rejected, attempting to manipulate Tony's emotions.

IX

Discussed extensively as Tony's persistent, fawning, and rejected suitor, whose proposal hangs over her.

A Promise and a Plea

His pursuit intensifies to the point of melodramatic threats of suicide, revealing the desperation behind his socially acceptable facade and increasing the pressure on Tony.

XI

Arrives unannounced to assert his 'rights' to Tony, displaying cold, formal, and entitled behavior. His visit shatters the idyllic summer atmosphere.

XIV

Negotiates Tony's dowry with shrewd business acumen, behaves with formal propriety during the engagement, and appears as the serious, powdered bridegroom at the wedding.

I

Announces the birth of his daughter Erica; described by Tony as busy, sometimes reluctant to socialize, and cordial to her visiting parents.

V

Appears strained and evasive. He dismisses Tony's requests as beyond their means, accuses her of ruining him with extravagance, and smiles dejectedly when she mentions her dowry, hinting at hidden financial troubles.

Chapter VI

Desperately tries to placate his creditor, Kesselmeyer, revealing his financial ruin, shaky ethics, and total dependence on the Buddenbrook family's credit to stay afloat.

VII

His financial collapse is the central crisis. Described as having been 'insufferably sulky' and then suddenly affectionate before the Consul's arrival. His entry at the chapter's end is hesitant, marking the beginning of his confrontation.

The Unraveling

Desperate and crumbling. He alternates between tearful pleas, invoking his wife and child, and stunned silence as his scheme is exposed. His performance is revealed as a long-con to secure the Buddenbrook fortune.

IX

Shifts from a pitiable, kneeling supplicant begging for Tony's love to a furious, vindictive man who admits he only married her for her money, smashing a vase in his rage.

I

Mentioned scornfully by Tony in reference to the will's clause limiting her dowry for a second marriage, which she sees as a legacy of her failed first union.

V

Referenced in Tony's memories as more outwardly refined than Permaneder, but morally bankrupt, highlighting the complex trade-offs in her marital decisions.

Tony's Return and Confession

Tony mentions her first marriage to him as part of her worldly experience, contrasting it with the deeper cultural wound of her second marriage.