# The Germans — Beyond Good and Evil character guide

> The Germans in Beyond Good and Evil by Friedrich Nietzsche.

**Role:** supporting

**Also known as:** Germans, the Germans, sufficiently Germans, A German, The German

**First appearance:** 0002-i-prejudices-of-philosophers

## Snapshot

Nietzsche's recurring collective target — a people whose profundity he suspects of being obscurity, and whose virtue may be a well-dressed Tartuffery.

## Who they are

The Germans function as a collective character under constant cross-examination: their music, their philosophy, their famous depth all come under suspicion of being evasion rather than strength. Nietzsche's charge is that every nation calls its own particular hypocrisy its virtue, and that Germans in particular cannot know the best in themselves. This matters to the book's middle arc because the critique of national character becomes the testing ground for his larger question — whether any culture can still produce free spirits, or whether modern Europe is content with respectable mediocrity.

## In the story

### [Chapter 11](https://www.betterreads.dev/discover/beyond_good_and_evil_se/chapters/11)

Described as initially moral and susceptible to the romantic, inventive fervor of post-Kantian philosophy, seeking new faculties.

### [Chapter 39](https://www.betterreads.dev/discover/beyond_good_and_evil_se/chapters/39)

Mentioned as having a taste that is opposed to Stendhal's portrait of the clear-sighted, dispassionate philosopher.

### [Chapter 48](https://www.betterreads.dev/discover/beyond_good_and_evil_se/chapters/48)

Characterized as Northerners with barbarous origins and a poor talent for religion; their unbelief is a return to their racial (non-)spirit, creating a harder soul antipodal to the French.

### [Chapter 58](https://www.betterreads.dev/discover/beyond_good_and_evil_se/chapters/58)

Described as largely indifferent to religion due to generational laboriousness, especially the Protestant middle class in commercial centers and laborious scholars.

### [Chapter 151](https://www.betterreads.dev/discover/beyond_good_and_evil_se/chapters/151)

Implied as part of the 'friends' addressed, representing a cultural milieu that may impose such permissions.

### [Chapter 192](https://www.betterreads.dev/discover/beyond_good_and_evil_se/chapters/192)

Cited as a historical example of how perception modifies the unfamiliar; they transformed the foreign word 'arcubalista' into the familiar 'armbrust'.

### [Chapter 194](https://www.betterreads.dev/discover/beyond_good_and_evil_se/chapters/194)

Cited historically as an example where fathers held power of life and death over newborns, illustrating an ancient, absolute form of possession.

### [The New Warlike Age and German Skepticism](https://www.betterreads.dev/discover/beyond_good_and_evil_se/chapters/209)

Their spirit is redefined from 'gentle, good-hearted fools' to one characterized by masculine skepticism, critical distrust, and a fearless, dissecting intellect as exemplified by great philologists and critics.

### [239](https://www.betterreads.dev/discover/beyond_good_and_evil_se/chapters/239)

Implied through the mention of 'our latest German music,' which is blamed for ruining women's nerves and making them hysterical.

### [240](https://www.betterreads.dev/discover/beyond_good_and_evil_se/chapters/240)

Described through the lens of Wagner's music as belonging to 'the day before yesterday and the day after tomorrow—they have as yet no today,' highlighting a lack of present identity.

### [On German Depth](https://www.betterreads.dev/discover/beyond_good_and_evil_se/chapters/244)

The primary subject of analysis. Described as manifold, contradictory, elusive, loving the obscure and 'development,' and potentially using honesty as a disguise.

### [On German Prose and the Art of Reading](https://www.betterreads.dev/discover/beyond_good_and_evil_se/chapters/246)

Portrayed as lacking musicality and artistic sensitivity in both writing and reading, being 'deaf' to the art of language.

### [On German Style and the Art of Reading](https://www.betterreads.dev/discover/beyond_good_and_evil_se/chapters/247)

Criticized for reading silently with their eyes, not their ears, leading to a poor sense of style and harmony in writing. Their good musicians are said to write badly.

### [Two Kinds of Geniuses](https://www.betterreads.dev/discover/beyond_good_and_evil_se/chapters/248)

Posited, with rhetorical modesty, as a nation of the generative, fructifying genius type, 'tortured and enraptured by unknown fevers' and driven to create new life.

### [The European Problem and the Jewish Question](https://www.betterreads.dev/discover/beyond_good_and_evil_se/chapters/251)

Described as suffering from 'national nervous fever' and various political 'follies' (anti-French, antisemitic, Wagnerian, etc.), their nature seen as 'feeble and uncertain' compared to the Jews.

### [Chapter 253](https://www.betterreads.dev/discover/beyond_good_and_evil_se/chapters/253)

Mentioned as having risen up with 'profound disgust' against the 'modern ideas' of English origin.

### [Chapter 254](https://www.betterreads.dev/discover/beyond_good_and_evil_se/chapters/254)

Contrasted with the French, characterized by inexperience in psychological voluptuousness, 'grey-in-grey' conceptual spectrism, and a 'poverty of blood' for which 'high politics' (blood and iron) is a dangerous prescription.

### [Beyond Good and Evil: A Vision of Super-German Music](https://www.betterreads.dev/discover/beyond_good_and_evil_se/chapters/255)

Implicitly critiqued through the association with a music that is fading, pale, and injurious to taste and health.

### [261](https://www.betterreads.dev/discover/beyond_good_and_evil_se/chapters/261)

Implied as part of the 'ordinary man' in the historical and social analysis of dependent strata.

### [267](https://www.betterreads.dev/discover/beyond_good_and_evil_se/chapters/267)

Implied as part of the modern Europeans embodying the self-dwarfing tendency.

## Links

- HTML: https://www.betterreads.dev/discover/beyond_good_and_evil_se/characters/germans
- Book: https://www.betterreads.dev/discover/beyond_good_and_evil_se
- All characters: https://www.betterreads.dev/discover/beyond_good_and_evil_se/characters
