Social Class and Money

Where it surfaces

• Amaryllis at the Fair

  The fair highlights class divisions as Amaryllis navigates between the gentry and the common folk.

• I

  Mr. Iden's hard work does not bring wealth, highlighting the fallacy that labor guarantees financial success, and the family's decline from former prosperity.

• II

  Mr. Iden's pride in his self-grown potatoes and personally selected mutton contrasts with the perceived inferiority of wealthy villa dwellers' food, emphasizing class distinctions in food quality and self-sufficiency.

• VI

  The chapter contrasts the well-fed farmers and gentlemen with the 'hungry, lean kine' of tramps, highlighting the vast economic divide and the dehumanization of the poor.

• VII

  Jack Duck's elaborate black suit and silk hat contrast with his rustic appearance, highlighting the awkwardness of rural folk adopting urban formal wear.

• VIII

  John Duck's interest in Amaryllis is driven by her grandfather's wealth; the Idens' poverty contrasts with Granfer Iden's fortune.

• X

  The contrast between Grandfather Iden's immense wealth (the iron box of guineas) and Amaryllis's indifference to it highlights class and material values.

• XII

  Amaryllis's status as heiress and the importance of the spade guineas drive family dynamics; seating arrangement reflects hierarchy.

• XIII

  Grandfather Iden's distribution of sovereigns and the spade-guinea highlights the power of wealth and the sycophantic behavior of relatives vying for favor.

• XV

  The Pamments' immense wealth and social power are contrasted with the Idens' modest status; Grandfather Iden's access to their grounds is a mark of privilege, while Amaryllis resents the class hierarchy.

• XVI

  Raleigh's extravagant spending and the contrast with Nobbs's imitation highlight the power and allure of wealth and class distinction.

• XVII

  Grandfather Iden's worship of the Pamment family and his willingness to sacrifice Amaryllis for social advancement highlight the power of class and wealth.

• XVIII

  Raleigh's shame at treating Amaryllis like a 'vulgar wench' and Grandfather Iden's gesture of giving half-a-sovereign to a Pamment servant highlight class distinctions and the role of money in social interactions.

• XIX

  Amaryllis's sovereign allows her to buy practical goods; the Idens' financial struggles and the grandfather's favoritism toward the Pamments highlight class dynamics.

• XX

  The family's debt is a central oppressive force, symbolized by the 'wolves' of creditors and the pile of unpaid bills.

• XXI

  The family's poverty is evident in the cold garret, the lack of coal, and the procession of creditors, while Amaryllis's need for half a sovereign contrasts with the indifference of the art world.

• XXII

  The Idens' fall from gentility is starkly shown through Cobb's fawning treatment of a rich lady versus his rudeness to a poor woman, and Iden's inability to pay even small debts.

• XXIII

  The contrast between the Idens' hospitality and the bailiff's intrusion, as well as the treatment of Jearje as a retainer, underscores class dynamics and economic pressures.

• XXIV

  The chapter centers on the sovereign's dual nature—its power to both bless and ruin—and how financial desperation dominates Amaryllis's thoughts, forcing her to see art as worthless compared to material gain.

• XXV

  The chapter is dominated by concerns over debt, creditors, inheritance, and the lack of money for basic comforts.

• XXIX

  The chapter starkly contrasts the lives of the rich, who live in luxury and organize alms through tickets, with the wretched poor who scavenge for wood and starve. It criticizes the hypocrisy of wealthy philanthropists who prioritize dogs over humans.

• Alere Flamma's Retreat to Coombe Oaks

  Flamma's ten-pound notes and his generosity to the poor contrast with the harsh realities of poverty in London.

• XXXII

  The narrator satirizes middle-class reformers who prescribe meager scientific diets for the poor while enjoying rich food themselves.

• XXXIV

  Amaryllis's poverty and Amadis's inability to earn highlight the economic constraints that make their love seem unfit, contrasting with the ideal of a wealthy hero.