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A House of Gentlefolk · Theme

Social Class and Identity

How A House of Gentlefolk develops Social Class and Identity.

The narrative examines class distinctions and social mobility through characters like Agafya, who rises from peasantry to housekeeper, and the Lavretsky family's conflicts over marriage and inheritance, reflecting Russian society's rigid hierarchies.

Where it surfaces

  • I

    The chapter contrasts the gentility of the Kalitin household with Gedeonovsky's humble origins as a village priest's son, and Marfa Timofyevna's blunt remarks underscore class distinctions.

  • II

    The characters' concern with reputation, propriety, and family connections highlights the importance of social standing.

  • IV

    Panshin's ease in high society, his background as a gambler's son, and his calculated charm illustrate the fluidity and performance of social status.

  • VII

    Lavretsky's decision to live at a modest estate rather than his grand house reflects his shifting social identity and desire for simplicity.

  • VIII

    The chapter explores class boundaries through Ivan's marriage to the serf Malanya, which defies his father's expectations and leads to disinheritance.

  • IX

    Malanya is treated as an upstart and a runaway wench by the Lavretskys, and her lowly origins are constantly reminded by Glafira, emphasizing class divisions within the family.

  • Chapter X

    Ivan Petrovitch's Anglomaniac identity clashes with Russian traditions, yet his reforms are superficial, leaving the existing power structures intact.

  • XIII

    The Korobyin family's fall from military prominence to a modest Moscow existence illustrates the fragility of social standing and the importance of reputation.

  • XIV

    The Korobyins' interest in Lavretsky's serf count highlights the role of social standing and wealth in marriage arrangements.

  • XV

    Varvara Pavlovna's rise in Parisian society and Lavretsky's discomfort with a frivolous life highlight class and identity tensions.

  • XVII

    Marfa Timofyevna's pride in her Pestov lineage and her disdain for Panshin's social climbing reflect class consciousness; Nastasya Karpovna's modest fortune and dependence on Marfa Timofyevna illustrate the precarious position of poor nobility.

  • XXVIII

    The crowded drawing-room scene contrasts Lavretsky's reserved, introspective nature with Panshin's polished, socially adept manner, highlighting class and identity differences.

  • XXXIII

    Panshin's criticism of Lavretsky's 'dubious position in society' and the debate over who should lead reform highlight class and identity tensions.

  • XXXIV

    Panshin's supercilious tone and contempt for Russia contrast with Lisa's deep connection to the Russian people, highlighting class and national identity.

  • XXXVIII

    Panshin's status as a Kammerjunker and Marya Dmitrievna's emphasis on his eligibility reflect the importance of social standing in marriage.

  • XXXIX

    Varvara Pavlovna's manipulative charm and elegant dress allow her to navigate and win over the Kalitin household, despite her scandalous past, illustrating the fluidity and performance of social identity.

  • XL

    Varvara's 'lioness' persona and Parisian sophistication elevate her status in the drawing-room, contrasting with Marya Dmitrievna's provincial kindness and Panshin's diplomatic pretensions.

  • Epilogue

    The transformation of the Kalitin household and the fates of characters like Panshin and Mihalevitch illustrate the shifting social roles and identities in Russian society.