A House of Gentlefolk · Theme
Duty and Morality
How A House of Gentlefolk develops Duty and Morality.
Characters like Lisa and Lavretsky grapple with moral obligations, religious piety, and the need for expiation, as seen in Lisa's decision to enter a convent and Lavretsky's reflection on his responsibilities after personal failure.
Where it surfaces
- VI
Lisa holds Panshin accountable for breaking his word, showing her moral seriousness and sense of duty toward others' feelings.
- VIII
Ivan's sense of duty to his philosophical principles (Rousseau, Diderot) conflicts with his father's traditional values, leading to a moral crisis.
- IX
Piotr Andreitch's initial refusal to forgive his son's marriage gives way to a sense of duty after his wife's deathbed plea and the birth of his grandson, illustrating moral obligations within family.
- Chapter X
Ivan Petrovitch's sense of duty to reform his household and educate his son is undermined by his hypocrisy and ineffective implementation.
- XI
Glafira Petrovna's stern, dutiful care for Ivan Petrovitch despite her anger, and the moral contradictions in Ivan Petrovitch's liberal theories versus his despotic behavior.
- XV
Lavretsky feels a vague duty to work and return to Russia, but his wife's influence and his own passivity prevent action.
- XVI
Lavretsky's moral outrage and his struggle with the duty to forgive or condemn his wife's actions.
- XXIV
Lisa insists on submission to God's will and forgiveness, while Lavretsky struggles with his moral obligations.
- XXV
Mihalevitch insists that every Russian has a 'solemn responsibility to God, to the people, to himself,' and criticizes Lavretsky for failing to fulfill his duty.
- XXIX
Lisa struggles between her sense of duty to her mother and her own heart; Lavretsky argues that marrying without love is a moral failure.
- Lavretsky's Hope and Lisa's Confession
Lisa feels bound to obey her mother and societal expectations, yet her conscience draws her toward Lavretsky, creating moral tension.
- XXXIII
Lavretsky's defense of gradual, grounded reform and his commitment to cultivating the soil reflect a sense of moral duty to Russia.
- XXXV
Lisa is described as 'penetrated through and through by a sense of duty' and a dread of hurting anyone, reflecting the moral foundation laid by her upbringing.
- XXXVI
Lavretsky's sense of duty is tested as he faces his wife's plea for forgiveness, while Varvara Pavlovna manipulates moral sentiment to regain his favor.
- XXXVII
Lavretsky feels bound by duty to his wife despite his aversion, proposing a separate residence rather than outright rejection.
- XXXVIII
Lisa grapples with the moral implications of loving a married man, while Marfa Timofyevna's outrage underscores the era's strict moral codes.
- XXXIX
Marfa Timofyevna's silent kneeling and kissing of Lisa's hands express a deep sense of penitence and moral duty, while Lisa's acceptance reflects her own burden of guilt and resignation.
- XLII
Lisa insists that both she and Lavretsky must fulfill their duties—he to reconcile with his wife, she to renounce their love—as a moral expiation.
- XLIII
Lavretsky's decision to take back his wife is driven by a sense of duty and social expectation rather than genuine forgiveness.
- XLIV
Lisa's request for Lavretsky to leave and her quiet acceptance of their separation highlight her sense of moral duty and sacrifice.
- XLV
Lisa feels compelled to atone for her own sins and those of her family, particularly her father's fortune, reflecting a strong sense of moral duty and guilt.