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A Hazard of New Fortunes · Theme

Capitalism and Moral Compromise

How A Hazard of New Fortunes develops Capitalism and Moral Compromise.

The narrative examines how the pursuit of wealth and success in a capitalist society forces characters to compromise their ideals, as seen in March's unease with Dryfoos's money and Fulkerson's pragmatic maneuvering, and in Lindau's radical critique of economic inequality.

Where it surfaces

  • Part First

    The magazine is funded by Dryfoos's natural gas fortune, built on ruthless business practices, forcing March to confront the moral compromises inherent in accepting such patronage.

  • II

    March's consideration of leaving his insurance job for a risky magazine venture touches on moral compromises within capitalist structures.

  • V

    March faces a choice between a secure but demeaning corporate promotion and a riskier but more authentic literary venture, reflecting the moral compromises of commercial life.

  • XI

    Dryfoos's financial success through speculation and his role as the magazine's 'Angel' highlight the compromises and motivations behind capitalist ventures.

  • VI

    Fulkerson's plan to appeal to women's 'sex-piety' and the focus on profit highlight the moral compromises inherent in capitalist publishing.

  • Chapter X

    The Colonel's critique of commercialism as corrupting gentlemanly feelings and Beaton's bitterness about being 'bought up' highlight the moral compromises inherent in capitalism.

  • XII

    Lindau's tirade against millionaires and his critique of 'giving work' as a form of exploitation embody the moral conflicts of capitalism.

  • XIII

    Lindau's radical hatred of millionaires contrasts with his indirect work for Dryfoos, highlighting moral contradictions in capitalism.

  • XIV

    Fulkerson's pragmatic embrace of press criticisms for profit contrasts with March's initial moral outrage.

  • I

    Dryfoos's character embodies the hardened speculator, focused on business training for his son and profit, while Fulkerson's deference to wealth highlights the moral compromises inherent in the magazine's venture.

  • II

    Dryfoos's view of business as a game where gains are offset by losses contrasts with Conrad's idealism, highlighting the ethical tensions in commercial ventures.

  • VIII

    Dryfoos's moral decay is directly linked to his shift from productive farming to speculative finance, illustrating how easy money corrupts character and values.

  • IX

    Mrs. March's suspicion that Basil might truckle to the Dryfooses for professional gain underscores the moral compromises demanded by economic dependency.

  • I

    Fulkerson's plan to use Dryfoos's wealth for the magazine raises questions about the intersection of commerce, ideals, and integrity.

  • IV

    Lindau's passionate denunciation of capital and monopolies, and March's internal conflict about Lindau sharing in profits from Dryfoos's speculation, highlight the moral compromises inherent in capitalism.

  • V

    Dryfoos's wealth from speculation is questioned by Woodburn and Lindau, reflecting the era's debate over the ethics of capitalist accumulation.

  • VI

    Dryfoos's anti-union stance and Lindau's socialist critique highlight the moral compromises inherent in capitalist systems.

  • VII

    March's resignation over a matter of principle versus economic necessity illustrates the moral compromises demanded by capitalism.

  • VIII

    Lindau's refusal to accept money earned through speculation highlights the moral conflict between principled labor and capitalist profit.

  • IX

    The conflict between Dryfoos's financial power and March's ethical stance highlights the moral compromises inherent in capitalist ventures.

  • III

    Fulkerson's commercial enthusiasm for the strike as magazine material contrasts with March's philosophical critique of private wars fought at public expense.

  • IV

    Dryfoos's obsession with stock market gains contrasts with his brutal treatment of his family and his contempt for the working class.

  • Chapter VIII

    March critiques the economic system as a 'battle' and 'game' where people are forced to lie, cheat, and steal to survive, and where no one is secure in their work or livelihood.

  • Chapter X

    Dryfoos's regret over his treatment of Lindau and his acknowledgment of 'dog eat dog' business practices illustrate the moral compromises inherent in capitalism.

  • Chapter XI

    Dryfoos's worldly ambition is blamed for vexing and thwarting Conrad, and his attempt at reparation to the dead is seen as futile.

  • XII

    Dryfoos's lavish funeral arrangements for Lindau, whom he had previously opposed, represent a moral compromise and a futile attempt to buy redemption.

  • XVI

    Dryfoos's offer to hand over the magazine tests March's integrity and loyalty to Fulkerson, revealing the moral complexities of business partnerships.

  • XVIII

    March and Fulkerson's reforms, including cutting staff and reducing payments, highlight the compromises inherent in running a business for profit.