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A Hazard of New Fortunes · Theme

Art and Commerce

How A Hazard of New Fortunes develops Art and Commerce.

The tension between artistic integrity and commercial success is embodied in the magazine Every Other Week, where characters like Beaton and March struggle to balance aesthetic ideals with the demands of the market and the whims of wealthy backers.

Where it surfaces

  • Bibliographical

    Howells discusses the novel's serial publication and its eventual success in book form, reflecting on the commercial realities of writing and publishing fiction.

  • I

    Fulkerson's proposal blends literary ambition with commercial enterprise, offering March a chance to edit a magazine that balances artistic taste with market success.

  • II

    The proposed magazine embodies the tension between artistic integrity and commercial success, as Fulkerson's plan involves paying contributors a low price plus a percentage of profits.

  • IV

    March's divided life between insurance work and literary aspirations reflects the tension between commercial necessity and artistic fulfillment.

  • V

    Fulkerson's magazine enterprise seeks to blend literary talent with business acumen, and March's literary aspirations are weighed against practical financial concerns.

  • XII

    The struggle to find an artist and design a cover illustrates the conflict between artistic vision and commercial viability.

  • I

    The chapter explores the tension between artistic integrity and commercial success, as Alma and her mother discuss the practicalities of making a living through art.

  • II

    Alma's artistic ambitions are discussed alongside the practical need to earn a living through illustration.

  • III

    Beaton's internal conflict between artistic integrity and financial necessity is central. He refuses to 'sell out' to a project he doesn't believe in, yet is tempted by Fulkerson's offer and his father's plea for money.

  • IV

    Beaton's artistic identity is contrasted with his social maneuvering; Wetmore's comments highlight the challenges women face in the art world.

  • V

    Alma's training as an artist under Wetmore and Beaton's role as an art connoisseur highlight the tension between artistic integrity and social maneuvering.

  • VI

    The chapter explores the tension between artistic integrity (Beaton's critique) and commercial viability (Fulkerson's marketing strategies).

  • VII

    The tension between artistic integrity and commercial success is evident in March's deferential approach to Beaton and Fulkerson's pragmatic vision for the magazine.

  • VIII

    March reflects on the tension between aesthetic and ethical intentions in art, while Mrs. Dryfoos condemns certain paintings and theatre performances, illustrating the clash between artistic expression and moral propriety.

  • Chapter X

    Colonel Woodburn argues that art is subjugated to commercial values, and Beaton's internal conflict reflects the tension between artistic integrity and financial necessity.

  • XIII

    The first issue of Every Other Week balances high artistic quality with commercial viability, causing tension between March and Fulkerson.

  • XIV

    The magazine's success hinges on Beaton's stylish illustrations, blending artistic quality with commercial appeal.

  • XV

    Alma's dedication to her art over romantic involvement highlights the conflict between artistic integrity and personal relationships.

  • IV

    Beaton's disdain for the Dryfooses' money contrasts with his artistic pursuits, and the magazine Every Other Week represents the intersection of art and business.

  • V

    The conversation about Every Other Week, Beaton's artistic role, and Wetmore's comments on picture-buying stages illustrate the tension between art and commercial interests.

  • III

    March's editorship involves navigating young writers' artistic pretensions and the commercial realities of publishing, as well as Beaton's artistic temperament clashing with others.

  • I

    Alma's commitment to art for its own sake contrasts with Beaton's commercial compromises and Fulkerson's magazine ventures, highlighting the tension between creative integrity and market demands.

  • XIII

    Beaton's refusal to paint Conrad's portrait for money underscores the conflict between artistic integrity and commercial demands.

  • XIV

    Beaton refuses to paint Conrad's portrait for Dryfoos, asserting his artistic integrity, yet he is tempted by the Dryfoos fortune and the social advantages it could bring.

  • XV

    Alma's admiration for Beaton's artistic talent is tempered by her recognition of his moral failings and her own desire to pursue art on her own terms, not through a relationship.